40곡이 넘는 악보가 실려있는 이 악보 겸 교본은 광범위한 영역에 관심이 있는 클래식 기타리스트를 위한 책입니다.
Andres Segovia가 연주했던 전통적인 "클래식" 기타 스타일을 기반으로 브라질리안 리듬에서 아메리칸 블루스, 랙타임, 재즈 등의 다른 다양한 장르를 탐구하고 있습니다.
독자가 테크닉의 기반을 시스템적으로 구축하는 동시에 다양한 전통적이고 현대적인 스타일의 매력적인 레파토리들을 습득할 수 있게 구성되어 있습니다.
- Contents -
Classical Guitar Technique
Developing and Advantageous Sitting Position
Footstools and Alternatives
A Note About Nails / Using Thumbpicks
Using A Metronome
Basic Terms and Techniques
Tuning Notes
Chapter One: Pomp and Circumstance
Basic Rest Strokes and Free Strokes
Chapter Two: Leyenda (Main Theme)
Combining Rest-Stroke Bass With Free-Stroke Treble
Four Right-Hand Patterns to Apply to "Leyenda"
Chapter Three: Habanera
Combining Rest-Stroke Treble With Free-Stroke Bass
Chapter Four: Bridal Chorus
Simultaneous Rest Strokes
Chapter Five: Ode To Joy
Three-Part Texture
Chapter Six: Prelude to a New Millennium
Right-Hand Arpeggios and Harmonics
Chapter Seven: Can-Can
Right-Hand Blocking
Chapter Eight: Simple Gifts
Foreground and Background
Chapter Nine: Sor Etude
Two-Part Counterpoint
Chapter Ten: Lightnin's Boogie
Blues Swing Feel
Chapter Eleven: Arpeggio Study in a Major
Chord-Blocking Techniques
Chapter Twelve: Etude in a Major
Chapter Thirteen: Carcassi Nova
Bossa Nova Style
Chapter Fourteen: Romance of the Roses
Bringing Out the Melody
Chapter Fifteen: About Strange Lands and People
Chapter Sixteen: Currant
Slurring Techniques
Chapter Seventeen: Trumpet Voluntary
Trills
Chapter Eighteen: The Prince of Denmark's March
Left-Hand Finger Independence
Chapter Nineteen: Winter (From Vivaldi's The Seasons)
More Left-Hand Finger Independence
Chapter Twenty: Danny Boy
Eliminating Finger Squeak
Chapter Twenty-One: Cherish the Ladies
Irish Jig
Chapter Twenty-Two: William Tell Overture
Speed Study
Chapter Twenty-Three: Lullaby
Developing Right-Hand Finger Independence
Chapter Twenty-Four: Pavane
Rolling Chords
Chapter Twenty-Five: O Sole Mio
Rubato melody
Chapter Twenty-Six: South Beach Rumba, Part 1
Nuevo Flamenco Style
South Beach Rumba, Part 2
Polyrhythmic Arpeggios
Chapter Twenty-Seven: Gavotte
Advanced Slurring
Chapter Twenty-Eight: P and I Breakdown
Alternating Thumb and Index Finger Technique
Chapter Twenty-Nine: Alexander's Ragtime Band
Jazz-Style Syncopation Over Steady Bass
Chapter Thirty: Brahms' Hungarian Dance No. 5
Advanced Techniques for Changing Tone Colors
Chapter Thirty-One: Bill Bailey, Won't Your Please Come Home?
Ragtime-Style Alternating Bass
Chapter Thirty-Two: Chromatic Rag
Piano-Style Rag
Chapter Thirty-Three: Telemann Canon
Advanced Two-Part Texture
Troubleshooting Guide
Fifteen Memorization Tips
About the Author
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