±³À°ÀÚÀÌÀÚ ¿¬ÁÖÀÚÀÎ Carlos Arana°¡ ¾´ ÀÌ Ã¥¿¡´Â ³ª¹«¶öµ¥ ¾ø´Â ½ºÅ¸ÀÏ°ú ¿ª»ç, ±×¸®°í Å×Å©´Ð µîÀÇ Ãø¸é¿¡¼ º» ºê¶óÁúÀÇ Ç³ºÎÇÑ À½¾ÇÀû ÀüÅëÀÌ ´ã°ÜÀÖ½À´Ï´Ù.
ù¹ø° ¼½¼Ç¿¡´Â ºê¶óÁúÀÇ »ï¹Ù, º¸»ç³ë¹Ù, ¼î·ç(choro) µîÀÇ ½ºÅ¸ÀÏ¿¡ ³ªÅ¸³ª´Â ±Ùº»ÀûÀÎ ¸®µë°ú Çϸð´ÏÀÇ Æ¯¼º°ú ±×°ÍµéÀ» ½ÇÁ¦ ±âŸ ¿¬ÁÖ¿¡ ÀÀ¿ëÇÏ´Â ¹æ¹ýÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.
½ÇÁ¦ ÀÀ¿ëÆí¿¡¼´Â °¢°¢ÀÇ ½ºÅ¸ÀÏÀ» ¿ª»çÀûÀÌ°í Áö¿ªÀûÀÎ »Ñ¸®¿Í °ü·ÃÇÏ¿© ±× ÇÙ½ÉÀ» ¿¹Á¦µé°ú ÇÔ²² ºÐ¼®ÇÏ°í ÀÖ½À´Ï´Ù.
µÎ¹ø° ¼½¼Ç¿¡´Â ¹ÙÀÌ¿ä(baião), Åä¾Æ´Ù(toada), È£Å×(xote), ¾ÆÆ÷½¦(afoxé), ÇÁ·¹º¸(frevo), ¸¶»þ(Marcha), ¸¶»þ¶õÃÊ(Marcha Rancho) µîÀÇ ºê¶óÁú ºÏµ¿ºÎ Áö¿ªÀÇ ¸®µëÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.
60°³°¡ ³Ñ´Â ¿¹Á¦°¡ ºÎ·Ï CD¿¡ µ¥¸ð¿Í ÇÔ²² ½Ç·ÁÀÖÀ¸¸ç Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖ½À´Ï´Ù.
- Contents -
Introduction
Chord Symbol Notation
SECTION 1: SAMBA, BOSSA NOVA AND CHORO
Chapter 1: Rhythm
Chapter 2: Harmony
Chapter 3: Practical Application of Rhythmic Patterns
SECTION 2: RHYTHMS FROM THE NORTHEAST OF BRAZIL
Chapter 4: Baião
Chapter 5: Frevo
Appendix: Additional Style Considerations
Discography
Bibliography |