ÀϹÝÀûÀ¸·Î °¡Àå ¸¹ÀÌ »ç¿ëµÇ´Â 25°³ÀÇ ½ºÄÉÀÏ°ú ¸ðµå°¡ ¼Ò°³µÇ¾î ÀÖ´Â ±³º»ÀÔ´Ï´Ù.
°¢°¢ÀÇ ½ºÄÉÀÏÀº 12°³ÀÇ Å°·Î ´Ù½Ã ³ª´µ¾î ¸ðµÎ ¿À¼±¾Çº¸·Î Ç¥±âµÇ¾î ÀÖÀ¸¸ç µ¿½Ã¿¡ ±âŸ ÁöÆÇÀÇ ´ÙÀ̾î±×·¥µµ Ç¥½ÃµÇ¾î ÀÖ½À´Ï´Ù.
ÀϹÝÀûÀÎ ¿îÁöÀÇ ´ÙÀ̾î±×·¥°ú ÇÔ²² ÀڽŸ¸ÀÇ ¿îÁö¸¦ ¸¸µé ¼ö ÀÖ´Â ´ÙÀ̾î±×·¥µµ ÇÔ²² Ç¥±âµÇ¾î ÀÖ½À´Ï´Ù.
¸ÞÀÌÀú, ¸¶À̳Ê, ¶ô ÆæŸÅä´Ð, ÀçÁî, ¸ð´Þ ½ºÄÉÀÏ µîÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.
Ÿºê¾Çº¸·Î´Â Ç¥±âµÇ¾î ÀÖÁö ¾Ê½À´Ï´Ù.
- Contents -
Introduction
Special Features of this Book
The Seven Fingerings For Guitar
The Major Scale
The Major Pentatonic Scale
The Mixolydian Scale
The Minor Pentatonic Scale
The Blues Scale
The Dorian Scale
The Lydian Scale
The Natural Minor Scale
The Harmonic Minor Scale
The Melodic Minor Scale (Jazz Minor)
The H.M. 5 Scale
The Overtone Dominant Scale
The Altered Dominant Scale
The Whole Tone Scale
The Half-Whole Scale
The Whole-Half Scale
The JM 5 Scale
The HM 4 Scale
The JM 2 Scale
The Plain Mi7b5 Scale
The H.M. 2 Scale
The JM 6 Scale
The Locrian Scale
|