µµ¼­
- ¹êµå½ºÄÚ¾î
- ¾Ç±â¿Í ¹ÂÁö¼Ç
- ÀÏ·º±âŸ ±³º»
- º£À̽º ±³º»
- µå·³ ±³º»
- ¾îÄí½ºÆ½ & Ŭ·¡½Ä ±âŸ
- ±× ¿Ü ¼­Àû
DVD
Sun499 Gigbags
½ã499 ±ã¹é
Sun499 Pedalboards
½ã499 Æä´Þº¸µå
Sun499 Straps
½ã499 ½ºÆ®·¦
Aguilar®
¾Æ±Ð¶ó
Comfort Strapp®
ÄÄÆ÷Æ® ½ºÆ®·¦
Danelectro®
´íÀÏ·ºÆ®·Î
G&L®
Áö¿£¿¤
G&L® Tribute
Áö¿£¿¤ Æ®¸®ºäÆ®
ModTone® Effects
¸ðµåÅæ ÀÌÆåÅÍ
Pyramid® Strings
ÇǶó¹Ìµå ½ºÆ®¸µ
SNARK® Tuners
½º³ªÅ© Æ©³Ê
Souldier® Strap
¼ÖÀú ½ºÆ®·¦
Spectraflex® Cables
½ºÆåÆ®¶óÇ÷º½º ÄÉÀ̺í
StringSwing® Display
½ºÆ®¸µ½ºÀ® µð½ºÇ÷¹ÀÌ
¹ÂÁ÷¾ØºÏ½º
ȸ»ç¼Ò°³
About Us
Á¦Ç°¼Ò°³
Products
´ë¸®Á¡
Where to buy
°ø¿¬¾È³»
Live Info
  All Products > Books > Bass Lessons >
 

The Total Rock Bassist
A Fun and Comprehensive Overview of Rock Bass Playing
Book & CD

ÃâÆÇ»çAlfred
ÀúÀÚDan Bennett
¾ÆÀÌÅÛ #00-30238
ISBN9780739052693
ºÐ·®128 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹


ÀÌ Ã¥/CD ÆÐÅ°Áö¸¦ ÅëÇØ ´Ù¾çÇÑ ¶ô º£À̽º ¿¬ÁÖÀÇ ¼¼°è¸¦ µ¶Ã¢ÀûÀÌ°íµµ Èï¹Ì·Î¿î ¹æ¹ýÀ¸·Î ¿©ÇàÇÒ ¼ö ÀÖ½À´Ï´Ù.
ºí·ç½º°¡ ÁøÇÏ°Ô ¹¯¾î³ª´Â Ãʱ⠶ôÅ«·Ñ »ç¿îµå¿¡¼­ºÎÅÍ ±Ø´ÜÀûÀÎ Æ®·¡½¬ »ç¿îµåÀÇ ¸ð´ø ¸ÞÅ»±îÁö ¸ðµç ¶ô º£À̽º¿¡ ´ëÇÑ ³»¿ëÀÌ ´ã°ÜÀÖ½À´Ï´Ù.
¿ª»ç»ó ÁÖ¿ä ¾ÆÀÌÄÜÀÎ ¶ô º£À̽º ¿¬ÁÖÀÚµéÀÇ ½ºÅ¸ÀÏÀÌ ¿À¸®Áö³Î¿¡ °¡±î¿î »ç¿îµåÀÇ µ¥¸ð Æ®·¢°ú ÇÔ²² ½Ç·ÁÀÖ½À´Ï´Ù.
ÈǸ¢ÇÑ º£À̽ýºÆ®°¡ µÇ±â À§ÇÑ Å×Å©´Ð°ú ÀÌ·Ð, °î ¿¬ÁÖ µîÀ» ¸¶½ºÅÍÇؼ­ ÀÚ½ÅÀÇ ¹êµå¿¡ Àû¿ëÇÒ ¼ö ÀÖ°Ô µË´Ï´Ù.
Ŭ·¡½Ä ¶ô, ¸ÞÅ», ÆãÅ©(punk), ºí·ç½º, ·¹°Ô, ½ºÄ«, ÆãÅ©(funk) µî ´Ù¾çÇÑ À帣ÀÇ ¿¹Á¦, ¼ö ¸¹Àº ¸í°îµé¿¡ »ç¿ëµÈ ±âº»ÀûÀÎ ÄÚµå ÁøÇà, ÇΰŽºÅ¸ÀÏ/ÇÇÅ©/½½·¦°ú ÆË/ÅÂÇÎ/´õºí ½ºÅ¾ µîÀÇ ÇʼöÀûÀÎ Å×Å©´Ð, ÁÖ¿ä ¶ô ¸®µë°ú ¾ù¹ÚÀÚ ¸®µë, ´Ù¾çÇÑ ½ºÄÉÀÏ/Æ®¶óÀ̾îµå/¾Æ¸£ÆäÁö¿À/¸ðµå/Çö´ëÀûÀÎ »ç¿îµå¸¦ À§ÇÑ À̱¹ÀûÀÎ ½ºÄÉÀÏ µîÀÇ ³»¿ëÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
¸ðµç ¿¹Á¦´Â Ÿºê¾Çº¸·Î ±âº¸µÇ¾î ÀÖÀ¸¸ç µ¥¸ð Æ®·¢ÀÌ ºÎ·Ï CD¿¡ ´ã°ÜÀÖ½À´Ï´Ù.


- Contents -

About the Author
Introduction
Chapter 1: Getting Started
   Parts of the Bass
   Different Types of Basses
   Holding the Bass
   Right-and Left-Hand Technique
   Tuning
   Strings

Chapter2: Reading Music Notation
   Pitch
   Musical Time
   Rhythmic Exercises
   Tablature(TAB)
   Chord Symbols
   Finding Notes on the Fretboard
   Accidentals
   Enharmonic Notes
   Memorizing the Fretboard
   Finger Strengthening Warm-Up

Chapter3: The Major Scale
   Major Scale Construction
   Applying the Major Scale to the Fretboard
   Scale Degrees
   Major Scale Exercises
   Intervals
   Key Signatures
   The Circle of 5ths
   Figuring Out Key Signatures
   Two-Octave Major Scale Fingerings
   Major Scale Bass Lines
   Rhythm Practice: Eighth Notes
   Ties
   Hammer-Ons and Pull-Offs
   Legato Exercises
   Simple Rock Bass Lines

Chapter4: Intro to Harmony
   Intervals
   Triads
   Reading Chord Symbols
   Diatonic Harmony
   Triad Exercises
   Rhythm Practice: Dotted Notes
   Bass Lines Using Triads

Chapter5: Expanding Harmony-7th Chords
   Diatonic 7th Chords
   Rhythm Practice: Sixteenth Notes
   Dead Notes
   Slides
   7th Chord Bass Lines

Chapter6: Basic Rock Chord Progressions
   The I-IV-V Progression
   The '50s Progression: I-vi-IV-V
   The Pop-Punk Progression: I-V-vi-IV
   Other Chord Progressions
   Rhythm Practice: 3/4 Time and Triplets
   Triplets
   Locking in with the Drums

Chapter 7: New Scales
   The Natural Minor Scale
   The Major Pentatonic Scale
   Major Pentatonic Bass Lines
   The Minor Pentatonic Scale
   Minor Pentatonic Bass Lines
   Rhythm Practice:Swing Eighths

Chapter 8: The Blues
   The 12-Bar Blues
   Basic Blues
   Basic Blues in A
   Dominant 7th Blues
   Dominant Boogie Blues in F
   The Quick Change
   Quick Change Blues in G
   Minor rBlues
   C Minor Blues
   The Blues Scale

Chapter 9: Modes of the Major Scale
   The lonian Mode
   The Dorian Mode
   The Phrygian Mode
   The Lydian Mode
   The Mixolydian Mode
   The Aeolian Mode
   The Locrian Mode
   Modal Warm-Up
   Modal Bass Lines
   Building Modes of Other Scales
   Modes of the Major Pentatonic Scale

Chapter 10: Double Stops
   Right-Hand Technique
   Double-Stop Fingerings
   Diatonic Double Stops
   Bass Lines Using Double Stops
   Pedal Tones
   Combinig Pedal Tones with Double Stops

Chapter 11: Odd Time Signatures
   Playing in 5/4
   Playing in 7/4
   Playing in 7/8
   Compound Time Signatures
   Dissonant Time

Chapter 12: Slap & Pop
   Slapping
   Staccato
   Popping
   Slap & Pop Bass Lines
   Open-Hammer-Pop
   Slapping & Popping Double Stops

Chapter 13: Tapping
   Tapping Warm-Ups
   Tapping Exercises
   Tapping Bass Lines
   Rhythm Practice: Quarter-Note Triplets
   Quarter-Note Triplet Bass Lines

Appendix: Practice Tips
   Conclusion


 

Copyright © 2006-2016 Music N Books. All rights reserved.