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- Contents -
About the Author
Introduction
Chapter 1: Getting Started
Parts of the Bass
Different Types of Basses
Holding the Bass
Right-and Left-Hand Technique
Tuning
Strings
Chapter2: Reading Music Notation
Pitch
Musical Time
Rhythmic Exercises
Tablature(TAB)
Chord Symbols
Finding Notes on the Fretboard
Accidentals
Enharmonic Notes
Memorizing the Fretboard
Finger Strengthening Warm-Up
Chapter3: The Major Scale
Major Scale Construction
Applying the Major Scale to the Fretboard
Scale Degrees
Major Scale Exercises
Intervals
Key Signatures
The Circle of 5ths
Figuring Out Key Signatures
Two-Octave Major Scale Fingerings
Major Scale Bass Lines
Rhythm Practice: Eighth Notes
Ties
Hammer-Ons and Pull-Offs
Legato Exercises
Simple Rock Bass Lines
Chapter4: Intro to Harmony
Intervals
Triads
Reading Chord Symbols
Diatonic Harmony
Triad Exercises
Rhythm Practice: Dotted Notes
Bass Lines Using Triads
Chapter5: Expanding Harmony-7th Chords
Diatonic 7th Chords
Rhythm Practice: Sixteenth Notes
Dead Notes
Slides
7th Chord Bass Lines
Chapter6: Basic Rock Chord Progressions
The I-IV-V Progression
The '50s Progression: I-vi-IV-V
The Pop-Punk Progression: I-V-vi-IV
Other Chord Progressions
Rhythm Practice: 3/4 Time and Triplets
Triplets
Locking in with the Drums
Chapter 7: New Scales
The Natural Minor Scale
The Major Pentatonic Scale
Major Pentatonic Bass Lines
The Minor Pentatonic Scale
Minor Pentatonic Bass Lines
Rhythm Practice:Swing Eighths
Chapter 8: The Blues
The 12-Bar Blues
Basic Blues
Basic Blues in A
Dominant 7th Blues
Dominant Boogie Blues in F
The Quick Change
Quick Change Blues in G
Minor rBlues
C Minor Blues
The Blues Scale
Chapter 9: Modes of the Major Scale
The lonian Mode
The Dorian Mode
The Phrygian Mode
The Lydian Mode
The Mixolydian Mode
The Aeolian Mode
The Locrian Mode
Modal Warm-Up
Modal Bass Lines
Building Modes of Other Scales
Modes of the Major Pentatonic Scale
Chapter 10: Double Stops
Right-Hand Technique
Double-Stop Fingerings
Diatonic Double Stops
Bass Lines Using Double Stops
Pedal Tones
Combinig Pedal Tones with Double Stops
Chapter 11: Odd Time Signatures
Playing in 5/4
Playing in 7/4
Playing in 7/8
Compound Time Signatures
Dissonant Time
Chapter 12: Slap & Pop
Slapping
Staccato
Popping
Slap & Pop Bass Lines
Open-Hammer-Pop
Slapping & Popping Double Stops
Chapter 13: Tapping
Tapping Warm-Ups
Tapping Exercises
Tapping Bass Lines
Rhythm Practice: Quarter-Note Triplets
Quarter-Note Triplet Bass Lines
Appendix: Practice Tips
Conclusion |