ÀÌ Ã¥¿¡ ¼Ò°³µÈ Çõ½ÅÀûÀÎ ¿¬½À ¿¹Á¦µéÀ» ÅëÇØ ÀÌ¹Ì »ó´çÇÑ ¼Ö·Î ¿¬ÁÖ ±â¼úÀ» °®°í ÀÖÁö¸¸ °Å±â¿¡ ¸®µë°ú ½Ã°¢ÀûÀÎ Èï¹Ì¸¦ ´õ Çâ»ó½ÃÅ°±â ¿øÇÏ´Â µå·¯¸ÓµéÀÌ Å×Å©´ÐÀ» ´õ Àß ÀÌÇØÇÏ°í ¹ßÀü½Ãų ¼ö ÀÖ°Ô µË´Ï´Ù.
ºÎ·Ï CD·Ò¿¡ 240°³ÀÇ µ¥¸ðÆ®·¢ÀÌ mp3 ÇüÅ·Π¼ö·ÏµÇ¾î ÀÖ´Â ÀÌ Ã¥/CD ÆÐÅ°Áö´Â ¸ð´øµå·¯¸ÓÀÇ º£½ºÆ®¼¿·¯À̱⵵ ÇÕ´Ï´Ù.
- Contents -
INTRODUCTION
SECTION 1
PART 1:
8th-Note Patterns Using Alternate Sticking
Two-Bar Combinations
PART 2:
16th-Note Patterns Using Double Sticking
Two-Bar Combinations
PART 3:
16th-Note Patterns Using Paradiddle Sticking
Two-Bar Combinations
Two-Bar Combinations: Double Sticking To Paradiddles
Two-Bar Combinations: Paradiddles To Double Sticking
SECTION 2
PART 1:
Triplet Patterns Using Alternate Sticking
Two-Bar Combinations
PART 2:
Triplet Patterns Using Double Paradiddle Sticking
Two-Bar Combinations
PART 3:
Triplet Patterns Using RLL Sticking
Two-Bar Combinations
PART 4:
Triplet Patterns Using LRR Sticking
Two-Bar Combinations
PART 5:
Triplet Patterns Using RRL Sticking
Two-Bar Combinations
PART 6:
Triplet Patterns Using LLR Sticking
Two-Bar Combinations
PART 7:
Two-Bar Combinations With Mixed Sticking |