이 책/동영상 레슨북으로 클래식이나 컨템포러리 스타일 모두에서 풍부한 표현력과 고도의 기교를 사용한 탄탄한 피아노 테크닉을 익힐 수 있습니다. 교본과 동영상 예제들을 보면서 최대한의 표현력과 테크닉의 발현을 위한 손가락과 손목, 팔, 발, 몸 등을 움직이는 방법 및 호흡법을 배울 수 있습니다.
버클리 피아노 학과의 학과장인 Stephany Tiernan이 개발한 이 방법들은 전 세계의 수많은 피아니스트가 배우고 익혔습니다.
재즈, 록, 뉴에이지, 라틴, 클래식 등의 스타일을 모두 커버하고 있으며 각각의 테크닉이 독립적으로 설명된 레슨 동영상이 온라인으로 제공되며 책 첫 페이지의 사이트 주소와 액세스 코드로 스트리밍할 수 있습니다.


- Contents -

Video TRACKS
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION

PART I Technique
CHAPTER 1 The Fundamentals
CHAPTER 2 Finger Technique
CHAPTER 3 The Thumb
CHAPTER 4 Using the Arms
CHAPTER 5 Musical Applications and How to Practice
CHAPTER 6 Virtuosity and Finger Technique
CHAPTER 7 Wrist Technique
CHAPTER 8 Wrist Technique (Continued)
CHAPTER 9 Combining Finger and Wrist Tones
CHAPTER 10 Developing Pedal Technique

PART II Studies
CHAPTER 11 Jazz Excerpts
CHAPTER 12 Classical Excerpts
CHAPTER 13 Pop/New Age Excerpts
CHAPTER 14 Rock Excerpts
CHAPTER 15 Blues Excerpts
CHAPTER 16 Latin Excerpts

APPENDIX Original Etudes
CONCLUSION
ABOUT THE AUTHOR



- Video Tracks -

INTRODUCTION

CHAPTER 1. THE FUNDAMENTALS
1.1 Posture
1.2 Bench Height
1.3 Hammers Striking
1.4 Playing with a Pulse
1.5 Breathing Exercise
1.6 Light Arm
1.7 Singing Melody

CHAPTER 2. FINGER TECHNIQUE
2.1 Relax Fingers
2.2 Finding Ready Position
2.3 Finger Motion
2.4 Finger Independence
2.5 Playing a Note With the 3rd Finger
2.6 Duration and Loudness
2.7 Playing a Note with the 2nd Finger
2.8 4"' and 5"' Fingers in Ready Position
2.9 Lifting Fingers/Inequality of Fingers
2.10 Correct Motion - 4th and 5th Fingers
2.11 Using the Thumb
2.12 Hxercise 2i. Staccato
2.13 Exercise 2j. Legato
2.14 Demonstration of 2k, 21, and 2m. Both Hands

CHAPTER 3. THE THUMB
3.1 "Thumb Under" Motion
3.2 Moving the Thumb Inwards for Preparation
3.3 Straightening the Thumb for Attack
3.4 Playing C Major Scale: C-E
3.5 Playing C Major Scale: F-C
3.6 Playing C Major Scale Descending

CHAPTER 4. USING THE ARMS
4.1 Introduction and Exercise 4a
4.2 Exercise 4b
4.3 Exercise 4c
4.4 Exercise 4d
4.5 Exercise 4e
4.6 Exercise 4f
4.7 Exercise 4g
4.8 Blocking Groups of Notes
4.9 Movement of the Whole Body
4.10 Body in Motion
4.11 Playing Clusters
4.12 Breathing through the Whole Phrase
4.13 Breathing Longer Phrases and Playing Faster

CHAPTER 5. MUSICAL APPLICATIONS AND HOW TO PRACTICE
5.1 Live Practice Session

CHAPTER 6. VIRTUOSITY AND FINGER TECHNIQUE
6.1 Staccato Trill Exercise
6.2 Finger Exercise for Trills
6.3 Finger Exercise for Extended Trills
6.4 Trills with 1st, 2nd, 3,d, 4,h, and 5* Fingers
6.5 Leaping Exercise - Right Hand
6.6 Leaping Exercise - Left Hand
6.7 Leaping Exercise with Dynamic Changes
6.8 C Major Arpeggio - Right Hand
6.9 C Major Arpeggio - Left Hand
6.10 C Major Arpeggio - Both Hands

CHAPTER 7. WRIST TECHNIQUE
7.1 Finding a Hand Position
7.2 Wrist Motion
7.3 Playing a Wrist Tone
7.4 Practicing Wrist Tones on Single Notes
7.5 Practicing Wrist Tones on Two Notes
7.6 Practicing Wrist Tones on Triads

CHAPTER 8. WRIST TECHNIQUE (CONTINUED)
8.1 Wrist Motion Tossing Inwards
8.2 Wrist Motion Preparation Exercise
8.3 Playing Wrist Motion Inwards
8.4 Playing 1st, 2nd, 4th, and 5th Fingers with Wrist Inwards Motion
8.5 Playing 5-Note Scales in Thirds

CHAPTER 9. COMBINING FINGER AND WRIST TONES
9.1 Comparing Finger Tones and Wrist Tones
9.2 Two Ways to Play the Same Passage
9.3 Two Types of Wrist Tones in the Same Passage
9.4 Making Choices: Finger Tone or Wrist Tone?

CHAPTER 10. DEVELOPING PEDAL TECHNIQUE
10.1 Using the Sustain Pedal
10.2 Using the Una Corda Pedal
10.3 Using the Sostenuto Pedal

CHAPTER 11. JAZZ EXCERPTS
Jazz Study 1:
11.1 Practicing Jazz Study 1
Performance of Jazz Study 1
Jazz Study 2:
11.2 Phrase A
11.3 Phrase B
11.4 Phrase C
11.5 Phrase D
11.6 Phrase E
11.7 Phrase F
Performance of Jazz Study 2
Jan Study 3:
11.8 Phrase A
11.9 Phrase B
11.10 PhraseC
11.11 Phrase D
11.12 Phrase E
11.13 Phrase F
Performance of Jazz Study 3

CHAPTER 12. CLASSICAL EXCERPTS
Bach's Prelude in C Major:
12.1 Practic ing Prelude Away from the Keyboard
12.2 Practicing Staccato and Legato
12.3 Dynamic Phrasing in Measures 1-4
12.4 Practicing Dynamic Coloring
Performance of Bach's Prelude in C Major Excerpt

Schubert's Impromptu. Op. 9. No. 2:
12.5 Descending Staccato Scale Exercise
12. (i Leaping Across the Thumb
12.7 Descending Legato
12.8 Thumb Demonstration
12.9 Introduction to Schubert's Impromptu
Performance of Schubert's Impromptu, Op. 9. No. 2. Excerpt

Chopin's Nocturne, Op. 27, No. 2:
12.10 The Left Hand
12.11 The Right Hand in Measures 1-4
12.12 Double Thirds in Measure 10
12.13 Parallel Sixths in Measure 11
Performance of Chopin's Nocturne, Op. 27, No. 2, Excerpt

CHAPTER 13. NEW AGE EXCERPTS
New Age Study 1:
13.1 Practicing New Age Study 1
13.2 Shaping a Melody
13.3 Supportive Role of Left Hand
Performance of New Age Study 1

New Age Study 2:
13.4 Thumb Crossing Under
13.5 Crossing Over Thumb
13.6 Performance of New Age Study 2

New Age Study 3:
13.7 Wrist Tossed Outwards
13.8 Bringing Out the Top Notes in a Chord Progression
13.9 Double Thirds�Wrist Inwards
13.10 Minimizing Motion of the Wrist
13.11 Double Thirds as Repeated Notes
13.12 Legato Arpeggios
13.13 Double Thirds with the Wrist Outwards
13.14 Double Third Trills
13.15 Performance of New Age Study 3

CHAPTER 14. ROCK EXCERPTS
Rock Study 1:
14.1 Playing Close to the Keys
14.2 Shaping a Melody
14.3 Building Velocity with Finger Tones
14.4 Crescendos and Decrescendos
14.5 Repeated Notes
Performance of Rock Study 1

Rock Study 2:
14.6 Repeating Notes with a Breath
14.7 Octaves with Wrist Tones
14.8 Chords with Wrist Tones Outwards
14.9 Chords with Wrist Tones Inwards
14.10 Alternating Types of Wrist Tones
14.11 Combining Wrist and Finger Tones
14.12 Combining Wrist and Finger Tones with Arpeggios
14.13 Combining Wrist and Finger Tones with Octaves
14.14 Performance of Hock Study 2

CHAPTER 15. BLUES EXCERPTS
Blues Study 1:
15.1 Practicing Finger Tones
15.2 Alternating Accents
15.3 Use of 5th Finger after a Leap
15.4 Fingers Close to the Keys
15.5 Left 1 land Arpeggios
Performance of Blues Study 1

Blues Study 2:
15.6 Thumb Preparation in Arpeggios
15.7 5th Finger Considerations
15.8 Crossing Over Thumb
15.9 Grace Notes with Finger Tones
15.10 Large Leaps Using 5th Finger
15.11 Trills with Finger Tones
Performance of Blues Study 2

Blues Study 3:
15.12 Wrist Tossed Outwards on Chords
15.13 Wrist Tossed Inwards on Chords
15.14 Chromatic Scale in Double Thirds
15.15 Fast Repeated Chords
15.16 Staccato Octaves
15.17 Mixing Finger Tones and Wrist Tones
15.18 Mixing Wrist Tones
15.19 Performance of Blues Study 3

CHAPTER 16. LATIN EXCERPTS
Latin Study 1:
16.1 Practicing Finger Tones
16.2 A Singing Tone
Performance of Latin Study 1

Latin Study 2:
16.3 Playing a Groove with Wrist Tones
16.4 5th Finger Position
16.5 Wrist Tones on Double Thirds
16.6 Multiple Attacks with a Single Wrist Motion
16.7 Performance of Latin Study 2

Latin Study 3:
16.8 Octaves with Wrist Tossed Outwards
16.9 Combining Wrist and Finger Tones
Performance of Latin Study 3

Latin Study 4:
16.10 Alternating Types of Wrist Motion
Performance of Latin Study 4