Bass Player ¸Å°ÅÁø¿¡¼ A+¸¦ ¹ÞÀº Peter MurrayÀÇ ÀÌ Ã¥Àº º£À̽ýºÆ®µéÀÌ È¿°úÀûÀ¸·Î ¿¬ÁÖÇϱâ À§ÇÑ ¸ðµç °Íµé°ú ±âÃʸ¦ ¸¶½ºÅÍÇϴµ¥ ÇÊ¿äÇÑ °Íµé, ±×¸®°í ±× ÈÄÀÇ °è¹ß¿¡ ´ëÇÑ ¸ðµç °ÍµéÀ» ´Ù·ç°í ÀÖ½À´Ï´Ù.
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"°¡²û¾¿, ¾Ç±âÁ¡¿¡ Áø¿µÈ ¹«¼öÇÑ '±³º»'µé »çÀÌ¿¡¼ ƯÃ⳪°Ô ºûÀ» ¹ßÇϴ åÀÌ ÃâÆǵȴÙ. ÀÌ Ã¥ÀÌ ¹Ù·Î ±×·¯ÇÑ Æ¯º°ÇÑ Ã¥ÀÌ´Ù. ´ç½ÅÀÌ Ãʺ¸ÀÚ¶ó¸é, óÀ½ºÎÅÍ ¼ÕÀ» »ç¿ëÇÏ´Â ¿Ã¹Ù¸¥ ¹æ¹ýÀ» °¡¸£Ä¡°í ÀÖ´Â ÀÌ MurrayÀÇ Ã¥À» ÅëÇØ ÇêµÇÀÌ ³¶ºñÇÏ´Â ½Ã°£À» ÁÙÀÏ ¼ö ÀÖ°í(±×¸®°í ¾Æ¸¶µµ ºÎ»óµµ ¿¹¹æÇÒ ¼ö ÀÖ´Ù.), ¸¸¾à ´ç½ÅÀÌ ¾î´À Á¤µµ ¼÷´ÞµÈ Ç÷¹À̾î¶ó¸é ´ç½ÅÀÇ ´É·ÂÀ» ÀçÁ¡°ËÇÏ°í ´õ ÀÌ»óÀÇ ¹ßÀüÀ» °¡·Î¸·°í ÀÖ´ø ±â¼úÀû À庮µéÀ» ±Øº¹ÇÒ ¼ö ÀÖ´Ù. ºê¶óº¸!"
- Jim Roberts, Bass Player ¸Å°ÅÁø
- Contents -
Foreword
To the Left-Handed, Fretless and Many Stringed
Basic Principles of Technique
Economy of Motion
Tone Quality and Consistency
Natural Movement
Strength
Chops & the Chops "Reservoir"
Factors Related to Technique
(Stress, String Action, String Gauge, Weight and Weighting of the Bass, Standing and Sitting, Size of Hands & Length of Fingers, Hearing, Alcohol & Drugs)
The Study of Technique
For Beginners
For Intermediate Players
For Advanced Players
Practicing Technique
Tools
Practicing Technique
Divide and Conquer
Using This Book
Right Hand Technique
Thumb Position
The Opposable Thumb
Finger Technique
Direction of Finger Movement
Finger Distance from the Strings
Finger Pressure
Alternating Fingers
Raking
String Skipping
Pinky and Ring Fingers
Right Wrist and Forearm
Left-Hand Technique
Thumb Position
Spacing of Fingers
Finger/String Contact
Left-Hand Muting
Finger Position
Fretting Position
Finger Pressure
Ascending on One String
Transitions Between Hand Positions
(Anticipation, Inchworming, Shifting, Sliding)
Barring
Hammer-Ons and Pull-Offs
String Bending and Vibrato
Playing Harmonics
Left Arm Position
Quasi-Chromatic Exercise
Muting Summary |