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- Contents -
UNIT ONE: Pentatonic Scales: What Are They?
Example 1: Minor Pentatonic Fingerings
Example 2: Dominant 7th Pentatonic Fingerings
UNIT TWO: Relationship of the Minor Pentatonic to the Blues Scale
Example 3
UNIT THREE: Pentatonic Lines vs. Jazz Lines
Example 4: Hippity Hop to the Bebop Shop
UNIT FOUR: Application of Pentatonic Theory
UNIT FIVE: Major Chords
Example 5: E¢Úmaj7
UNIT SIX: Minor Chords
Example 6: Em7
UNIT SEVEN: Dominant 7th Chords
Example 7: A7
UNIT EIGHT: Minor 7[¢Ú5] Chords
Example 8: Am7[¢Ú5]
UNIT NINE: Altered Dominant 7th Chords
Example 9: Frontier Justice, C7[altered]
UNIT TEN: Pentatonic Improvising Over Cadences: ii-V-I-[Vl7]
Examples 10A-H: ii-V-I
[10E-G not recorded]
Example 10: Sol Motion
Example 10: Charanga C.C
UNIT ELEVEN: Pentatonic Improvising Over Cadences: iim7[¢Ú5]-V7[alt.]-im7
Example 11: iim7[¢Ú5]-V-i
Example 12: Clare as Day
UNIT TWELVE: Pentatcnics in Sequence Exercises
Examples 13A-J: Pentatonic Sequences [ii-V-I]
[13E-J not recorded]
Examples 14A-J: Pentatonic Sequences [iim7[¢Ú5]-V-i)
[14E-J not recorded]
UNIT THIRTEEN: Pentatonics Around and "outside" the Consonant
Example 15
UNIT FOURTEEN: Pentatonic Stretch Fingerings
Example 16
Examples16A-B
UNIT FIFTEEN: String-Skipping Exercises
Examples 17A-17D [ii-V-I]
Examples 18A-18D [iim7[¢Ú5]-V-i]
UNIT SIXTEEN: The Doubled-Note Effect
Example 19
UNIT SEVENTEEN: Velocity Exercises
Example 20: Minor Pentatonic
Example 21: Dominant 7th Pentatonic
Example 22: Classic Line/Pattern
Example 23: Ascending and Descending Minor and Dominent 7th Pentatonic
Example 24A: Ascending and Descending Minor Pentatonic
Example 24B: Ascending and Descending Dominant 7th Pentatonic
Example 25: Dominant 7th Velocity Study
Example 26: Combinations: Minor and Dominant 7th Pentatonic
UNIT EIGHTEEN: Improvising Over "Standard" Changes
Example 27: Denzalón
Example 28: Khalatmo
Example 29: A Shade of Trade
Example 30: Mad Bumpyville
Example 31: Big Kayak
Example 32: Off the Path
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