³¶¸¸ÁÖÀÇ ½Ã´ë Æú¶õµåÀÇ À§´ëÇÑ ÀÛ°î°¡ÀÌÀÚ ÇǾƴϽºÆ®ÀÌÀÚ ÇǾƳëÀÇ ½ÃÀÎÀ¸·Î ºÒ¸± ¸¸Å ´Ù¼öÀÇ ¾Æ¸§´Ù¿î ÇǾƳë°îµéÀ» ³²±ä ÇÁ·¹µ¥¸®Å© ¼îÆØ(Frédéric Chopin 1810-1849)ÀÇ ´ëÇ¥ÀÛÀÌ ¿ø°îº¸´Ù ½±°Ô Æí°îµÈ Çî·¹ ÇÇ¾Æ³ë ¾Çº¸ÀÔ´Ï´Ù.
³À̵µ°¡ Á¡Â÷ Áõ°¡ÇÏ´Â ¼ø¼·Î µÇ¾î ÀÖ¾î ¼îÆØÀÇ ÀÛÇ°À» Áñ±â¸é¼ ¿¬½ÀÇÒ ¼ö ÀÖ½À´Ï´Ù.
Although Frédéric Chopin was one of the greatest piano virtuosos of his time, even pianists of moderate technical ability can enter into his Romantic, magical realm. His mastery was such that his own, unmistakeable style is tangible even in his shorter, less difficult pieces such as his mazurkas and waltzes. Our selection offers a progressive introduction to the musical language of this Polish-French master.
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Waltz a minor KK IVb,11
3 ÇÏ
Waltz b minor op. post. 69,2
4 Áß
Prelude c minor op. 28,20
4 Áß
Prelude b minor op. 28,6
4 Áß
Prelude e minor op. 28,4
4 Áß
Mazurka a minor op. 68,2
4 Áß
Nocturne g minor op. 15,3
5 Áß
Mazurka B flat major op. 7,1
5 Áß
Mazurka g minor op. 24,1
5 Áß
Prelude E major op. 28,9
5 Áß
Prelude (Raindrop) D flat major op. 28,15
5 Áß
Mazurka g minor op. 67,2
5 Áß
Nocturne (version 1) c sharp minor KK IVa,16
5 Áß
Funeral March (Marche funèbre) from Piano Sonata op. 35
4 Áß
Waltz c sharp minor op. 64,2
6 Áß
Nocturne E flat major op. 9,2
6 Áß
Polonaise (Dramatique) c sharp minor op. 26,1
6 Áß
(³À̵µ: ÇÏ 1 - 9 »ó)
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