µµ¼­
- ¹êµå½ºÄÚ¾î
- ¾Ç±â¿Í ¹ÂÁö¼Ç
- ÀÏ·º±âŸ ±³º»
- º£À̽º ±³º»
- µå·³ ±³º»
- ¾îÄí½ºÆ½ & Ŭ·¡½Ä ±âŸ
- ±× ¿Ü ¼­Àû
DVD
Sun499 Gigbags
½ã499 ±ã¹é
Sun499 Pedalboards
½ã499 Æä´Þº¸µå
Sun499 Straps
½ã499 ½ºÆ®·¦
Aguilar®
¾Æ±Ð¶ó
Comfort Strapp®
ÄÄÆ÷Æ® ½ºÆ®·¦
Danelectro®
´íÀÏ·ºÆ®·Î
G&L®
Áö¿£¿¤
G&L® Tribute
Áö¿£¿¤ Æ®¸®ºäÆ®
ModTone® Effects
¸ðµåÅæ ÀÌÆåÅÍ
Pyramid® Strings
ÇǶó¹Ìµå ½ºÆ®¸µ
SNARK® Tuners
½º³ªÅ© Æ©³Ê
Souldier® Strap
¼ÖÀú ½ºÆ®·¦
Spectraflex® Cables
½ºÆåÆ®¶óÇ÷º½º ÄÉÀ̺í
StringSwing® Display
½ºÆ®¸µ½ºÀ® µð½ºÇ÷¹ÀÌ
¹ÂÁ÷¾ØºÏ½º
ȸ»ç¼Ò°³
About Us
Á¦Ç°¼Ò°³
Products
´ë¸®Á¡
Where to buy
°ø¿¬¾È³»
Live Info
  All Products > Books > Drum Lessons >
 

Podemski's Standard Snare Drum Method
º¥ÀڹΠÆ÷µ©½ºÅ° ½º³×¾î µå·³ ±³º»
Including Double Drums and Introduction to Timpani

ÃâÆÇ»çAlfred
ÀúÀÚBenjamin Podemski
¾ÆÀÌÅÛ #00-11393A
ºÐ·®96 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹


µå·³ ·¹½¼ÀÇ °íÀüÀ¸·Î ²ÅÈ÷´Â º¥ÀڹΠÆ÷µ©½ºÅ°ÀÇ ½º³×¾î µå·³ ±³º»ÀÔ´Ï´Ù.
¹êµå µå·³ »Ó¸¸ ¾Æ´Ï¶ó ¿ÀÄɽºÆ®¶ó µå·³¿¡µµ È°¿ëÇÒ ¼ö ÀÖ´Â ±³º»À¸·Î ½ºÅÄ´Ùµå¿Í ¸ð´ø µå·³ ½ºÆ®·ÎÅ©, ¼¼°èÀûÀ¸·Î À¯¸íÇÑ Äܼ­Æ®¿Í ½ÉÆ÷´Ï °î¿¡¼­ ¹ßÃéÇÑ ¼Ö·Î ÆнÃÁö, º£À̽º µå·³°ú ½º³×¾î µå·³À» Á¶ÇÕÇÑ ¿¬½À ¿¹Á¦ µîÀÌ ¼ö·ÏµÇ¾î ÀÖÀ¸¸ç ÆÀÆÄ´ÏÀÇ Æ©´×, ¿Ã¹Ù¸¥ ¿¬ÁÖ ¹æ¹ý, ¸®µë°ú ºñÆ®µµ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.


- Contents -

Correct Method of Holding Snare Drum Sticks

PART I - BASIC DRUMMING
Note Values, Musical Terms and Expressions
The Roll
The Drag
The Four Stroke Roll
The Five Stroke Roll or Gruppetto
The Four Stroke Roll
The Single Stroke Roll
The Seven Stroke Roll
Flam Strokes
Drag Strokes
Combination of Strokes
Abbreviated Values
Elementary Beat Exercise Studies
   Exercise No. 1
   Exercise No. 2
   Exercise No. 3
   Exercise No. 4
   Exercise No. 5
   Excrcise No. 6
   Exercise No. 7
   Exercise No. 8
   Exercise No. 9
Studies in Flams
   Exercise No. 10
   Exercise No. 11
   Exercise No. 12
Rhythm and the Percussionist
A Study in Rhythmical Division
   Exercise No. 13
   Exercise No. 14
Crush Roll
   Exercise No. 15
Exercises in Abbreviated Values
   Exercise No. 16
   Exercise No. 17
Exercise with Scotch Snap and the Reverse
   Exercise No. 18
   Exercise No. 19

PART II - ADVANCED EXERCISE STUDIES
   Exercise No. 20
   Exercise No. 21
   Exercise No. 22
   Exercise No. 23
   Exercise No. 24
   Exercise No. 25
   Exercise No. 26
   Exercise No. 27
   Exercise No. 28
   Exercise No. 29
   Exercise No. 30
   Exercise No. 31
   Exercise No. 32
   Exercise No. 33
   Exercise No. 34
   Exercise No. 35
   Exercise No. 36
   Exercise No. 37
   Exercise No. 38
   Exercise No. 39
   Exercise No. 40
   Exercise No. 41
   Exercise No. 42
   Exercise No. 43
   Exercise No. 44
   Exercise No. 45
   Exercise No. 46
   Exercise No. 47

PART III - MODERN RHYTHMS AS EMPLOYED CONTEMPORARY COMPOSERS
   Exercise No. 48
   Exercise No. 49
   Exercise No. 50
   Exercise No. 51
   Exercise No. 52
A Study in Syncopated Rhythm Swing Strokes
   Exercise No. 53

PART IV - DOUBLE DRUMMING
Exercises for Double Drums and Solo Passages from Most Renown Compositions

PART V - FAMOUS DRUM SOLOS

PART VI - AN INTRODUCTION TO TYMPANI
Examples of Tympani
Correct and incorrect positions of holding Tympani Sticks
Exercises for Tympani

MUSICAL VOCABULARY


 

Copyright © 2006-2016 Music N Books. All rights reserved.