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- Contents -
Foreword by Thomas A. Van Hoose
Preface by George Gruhn
Ackowledgments
Introduction
Exploded view of an archtop guitar
CHAPTER ONE: Wood Selection
Top plate
Back plate
Sides
Neck
CHAPTER TWO: Making The Body Mold
CHAPTER THREE: Carving The Top And Back Plates
Tap tuning
Carving the top and back plates
CHAPTER FOUR: Cutting The "F" Holes
By hand
With the pin router
A few rules of thumb
Binding the "F" holes
An unbound option
Round / oval hole alternative
CHAPTER FIVE: Bracing The Top Plate
CHAPTER SIX: Bending The Sides
CHAPTER SEVEN: Neckblock And Tailblock
CHAPTER EIGHT: Linings And Side Braces
CHAPTER NINE: Gluing The Back And Top Plates To The Sides
CHAPTER TEN: Cutting The Body Mortise
A routing alternative
CHAPTER ELEVEN: Body Binding
Cutting the rabbet by hand
Cutting the rabbet with a router
Gluing the binding
CHAPTER TWELVE: Scraping The Re-curve
CHAPTER THIRTEEN: Making The Neck
Cutting the truss rod groove
7-String Alternative
Cutting the dovetail
Cutting the rabbet for the neck extension
Truss rod installation
Gluing the neck extension
Gluing the headstock ears
Tapering the headstock
The fingerboard stop
Gluing headstock veneers
Cutting the headstock shape
A routing alternative
Drilling the tuning machine holes
Cutting the rabbet for the headstock binding
Binding the headstock
Inlaying the headstock
Cutting the inlay
Cutting the inlay cavity
Making the fingerboard
Another slotting alternative
Inlaying the fingerboard
Tapering the fingerboard
Gluing the fingerboard to the neck
Sanding the fingerboard radius
Binding the fingerboard
Side position dots
Fretting
Shaping the neck
CHAPTER FOURTEEN: Fitting The Neck To The Body
Further tuning
CHAPTER FIFTEEN: Dressing The Frets
CHAPTER SIXTEEN: Fitting The Nut
CHAPTER SEVENTEEN: Finishing
Sanding-preparing for the finish
Spraying equipment
Masking
Natural finish
Sunburst
Honey blonde
Traditional violin color
Rubbing/buffing the finish
Hand rubbing
Machine buffing
CHAPTER EIGHTEEN: The Fittings
Tailpiece
Bridge
Fingerrest or pickguard
Truss rod cover
Tuning machines
CHAPTER NINETEEN: Set-up
String spacing at the nut
String notch marking gauge
E&Q Mari "La Bella" Strings
Amplifying the Guitar
Built-in pickup
Maintenance
CHAPTER TWENTY: Marketing
30th Anniversary Tribute to Robert Benedetto by Randall Kremer, Smithsonian Institution
About the Author by Bill Bush
Benedetto "La Cremona Azzurra"
Appendix
Lutherie Organizations / Publications / Suppliers
Benedetto Models
Jazz Pickups
Innovations
Guitars featured in books, magazines, etc.
Total instruments and numbering sequence
Archtop guitar Serial Numbers
Photographs of endorsers
Supplemental photographs
Glossary
Index
Arching Templates
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