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- Contents -
VOLUME II
1. PLAYING THROUGH CHANGES: Condensed Arpeggios, More on Soloing in One Position, 4 Note Arpeggio Fragments, Progressions for Soloing Over
2. CHROMATIC TONES: Lower Neighbor Tones, Upper Neighbor Tones, Chromatic Passing Tones
3. SOLOING OVER 'FAST' CHANGES: Focusing on Higher Chord Tones, Essential Notes, Sparse Playing
4. SLURRING and DECORATION - Part 2: Consecutive or Combined Pull-offs, Hammer-ons and Slides, Grace Notes
5. RHYTHM and PHRASING: Accents, Syncopation, Polyrhythm, Rhythmic Displacement, Legato and Staccato, Ghost Notes, Vibrato, Delayed Notes and Playing Behind the Beat
6. MELODIC PATTERNS: In Position, "Lengthwise" and Shifting Positions, Exercises
7. (MORE) ON SHIFTING and CONNECTING POSITIONS
8. COMPLETE SOLOS and DEVELOPING A MELODY LINE
9. THE MINOR 7♭5 SOUNDS: Four Common Scales, Arpeggios Chord Forms and Runs
10. THE MELODIC MINOR SCALE: Chord Forms, Arpeggios and Runs, The Minor 7th Scale for m6 and m6/9 Chords
THE HARMONIC MINOR SCALE: Arpeggios, Chord Forms, a Minor Key Solo
11. THE DIMINISHED 7th CHORD: Chord Forms, Arpeggios, Runs, The Diminished Scale and Runs, Modern Diminished 7th Type Arpeggios
12. BASING YOUR SOLO ON THE GIVEN MELODY: Decorating or Varying a Given Melody, Jazz Treatments of a Plain Melody
13. THE DIATONIC VIEW, TONAL CENTERS and TONAL SCALES: Diatonic 7th Chords, Roman Numeral Symbols, Diatonic Playing and Thinking, Keys or Tonal Centers, Special Treatment of iii7 and vi7 (Phrygian and Aeolian Scales), Other Diatonic Chords, Diatonic Chords of Other Scales, Diatonic Progressions, Tonal Scales, Understanding Chord Progressions, Chromatic Progressions
14. ALTERED DOMINANT SCALES - Part 2: Type 4 (Half - Whole Scale), Arpeggios and Chord Forms, Type 5, 7#9 Arpeggios and Chord Forms, The Whole Tone Scale, Chord Forms and Arpeggios
PARTING COMMENTS
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