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- Contents -
ACKNOWLEDGMENTS
PREFACE
Chapter 1. Reinforcing Form through Chordal Accompaniment
Chapter 2. D Dorian in Fourths
Chapter 3. Tension and Release through Choice of Voicing
Chapter 4. Minor 6 Pentatonic as a Lead Line Harmonized with Dorian
Chapter 5. Chordal Embellishments Using Chromatic and Diatonic Material
Chapter 6. Quartal Voicings on the "So What/Impressions¡± Progression
Chapter 7. Dorian and Minor 6 Pentatonic over Dominant 7sus chords
Chapter 8. Altered Dominants
Chapter 9. Quartal Voicings on II V 1 and G Blues Progressions
Chapter 10. Gospel-Influenced Modal Voicings and the Gospel Scale
Chapter 11. Quartal Voicings on min7♭5 Chords
Chapter 12. Modal Voicings on Major Chords
Chapter 13. Maj7♭5 Used in Several Ways
Chapter 14. Melodic Minor, Harmonic Minor, Harmonic Major, and Diminished for Quartal Sounds
Chapter 15. The Composite Blues Scale and Mixolydian Options
Chapter 16. Modal Voicings on Standard Progressions
Appendix A. Great "Pianoless Trio" Jazz Recordings for Practicing Chordal Accompaniment
Appendix B. Voicing Compendium
Dorian Voicings in Twelve Keys
Quartal Voicings in Nine Colors
Appendix C. Practice Tracks for Fluency in Twelve Keys
Minor 7
Dominant 7
Altered 7
Minor 7♭5
Major 7
Diminished Major 7
ABOUT THE AUTHOR
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