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- Contents -

XII. MODES & MODAL FRAMEWORKS
Modes Bright to Dark
Major, Minor or Modal?
 Modal Melodic Examples
When is it Modal & When is it Functional Harmony?
Modal Tunes in Jazz Practice
Chord Symbols & Modes
 Tunes with Modal & Functional Harmony Combinations
 Tunes with Modal Mixture
 Modal Planing
Modal Progressions
Motivic Development
 Compositional Devices for Motivic Development
Motivic Development in Modal Improvisation 322

XIII. QUARTAL HARMONY

XIV. OTHER SCALES & COLORS
 Scales for Jazz Improvisation
Chord/Scale Equivalency
Modes of the Melodic Minor Scale
 Relationship Between 7th & 4th Modes of Melodic Minor
Modes of the Major Scale with ♭6
 Applications of Major Scale with a ♭6 in a Composition
Scales of Limited Transposition
Chord/Scale Relationships Review
Hexatonic Options
Determining the Appropriate Sound
 Chord Symbol & Context
 Melodic Implications & Chord Symbol
Impositions over Traditional Frameworks

XV. EXTENDED TERTIAN STRUCTURES & TRIADIC SUPERIMPOSITION
 Notation Shorthand
Triadic Superimpositions Formulas & Examples

XVI. PENTATONIC APPLICATIONS
Pentatonic Applications
 Pentatonic Superimposition Formulas
 Pentatonic Superimposition Formulas

XVII. COLORING "OUTSIDE" the LINES & BEYOND
Approaches to Coloring Outside the Lines & Beyond

XVIII. ANALYSIS: the BIG PICTURE
Transcription
Analysis
So What: Miles Davis
All Blues: Cannonball Adderley
Blue In Green: John Coltrane
Freddie Freeloader: Wynton Kelly
Billie's Bounce: Charlie Parker

XIX. EXPANDING HARMONIC VOCABULARY
Introduction
 Voice Leading
 Harmonic Rhythm
 Mixture of Harmonic Colors
 Types of Motion
 Creating with New Vocabulary
Possible Harmonizations of the Pitch “C"

XX. CODA
Summary

Appendix I: Reference for Chord/Scale Relationships
Chord/Scale Relationships
 Scales
 Chords with Scale Sources
 Scales with Derived Chords

Appendix II: Elaborations of Static Harmony
Elaborations of ii7-V7 progressions
Elaborations of a C Major Chord usually as Tonic (I)
Elaborations of a D Minor Chord as i, vi, or i

Appendix III: Endings
Endings to Blues
Endings to Standard Tunes
Tag Extensions
Ballad Endings

Appendix IV: Composing Tips
Composing Tips
Music Theory Rules
Rewriting
Getting Started
Rewriting by Asking Questions
Contrasts
Consistencies
Compositional Devices for Motivic Development
Listening

Appendix V: Theory Applications
General Concepts
 Applied to a Standard Progression