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While still available in two separate volumes (93234 and 93235) Roger Filiberto's widely-used beginning bass method is now available in one comprehensive book! Includes handy arpeggio charts featuring major, minor, augmented, diminished, and dominant seventh chords, plus their upper harmonic extensions. Applicable to any style of music, this method has gained widespread acceptance as the foundational text for electric bass study! Includes access to online audio and video.
- Contents -
THE RUDIMENTS OF MUSIC
The Staff
The Bass Clef
Notes
Rests
The Time Signature
Electric Bass Fingerboard Chart
STUDY ON OPEN STRINGS
Whole Note Study
Half Note Study
Quarter Note Study
NOTES ON THE FOURTH STRING
Jump Off
Half Time
Speeding It Up
Dotted Half-Note
Three-Four Time
Mixin' It Up
The New Comer
NOTES ON THE THIRD STRING
A String Study
Half Note Study
Quarter Note Study
Review on E and A String
More on A String
E and A String
Quiet Like
Review
Notes on E and A String
NOTES ON THE SECOND STRING
Review on all Three Strings
NOTES ON THE FIRST STRING
Four String Review
THE "C" NOTE
The Key of C
The C Scale
Diatonic Passages in C
More diatonic Sequences
A STUDY IN THIRDS
Key of C
Lightly Row
The Tie
Careless Love
Folk Song in C
Western Folk Song
Cielito Lindo
Boogie in C
THE REPEAT SIGN
On Top of Old Smokey
Walking the Bass
Saints Come Marching In
Study of Fifths in C
INTRODUCING THE SHARPS (#) AND FLATS (b)
E-String
A-String
D-String
G-String
Typical Bass Part, Using Sharps and Flats THE EIGHTH NOTE
Eighth Notes and Eighth Rests
Example-Using Eighth Notes
The Dotted Quarter Note
Twelve Bar Boogie in C
More Boogie in C
THE KEY OF G
The G Scale
Thirds in G
Eight to the Bar Boogie in G
More Eight Bar Boogie
Eight Bar Blues in G
Standard Boogie Beat
Daily Drilling
THE SCALE OF F MAJOR
Arpeggio Study
Scale Pattern
Study in Thirds (Key of F)
More Study of Thirds in F Major
Italian Boat Song
Study in Fifths
THE TRIPLET
Two Circle of Sixths Patterns
Example (Using F# and More Eighth Notes) THE SIXTEENTH NOTE
More in C
Still More in C
Rock and Roll-Rhythm and Blues-Boogie Patterns
Four Bar Blues Pattern in C
BASS PARTS
C Major
C Minor
C Seventh
C Ninth
C Major 7
C Minor 7
C 6
C Mi 6
C Mi 9
C Major 9
C 9
C 9 +
C 11
C 11 +
C 13
C 13-9
C 9/6
THE MAJOR CHORD ARPEGGIOS
The Major Seventh Arpeggio
The Dominant Seventh Chord Arpeggio
The Major Sixth Arpeggio
The Minor Chord Arpeggio
The Minor Seventh Arpeggio
The Minor Sixth Chord Arpeggio
Minor Sixth Arpeggio
The Diminished Chord Arpeggio
The Augmented Chord Arpeggio
The Seventh b5
The Seventh +5 Chord
The 9-5 Chord Arpeggio
The Minus Ninth Chord Arpeggio
The Major Ninth Chord Arpeggio
The Augmented Ninth Chord Arpeggio
The Eleventh Chord
The 9/6 Chord Arpeggio
AN ORCHESTRATION STYLE
THE TYPES OF INTERVALS
Major
Perfect
Minor
Diminished
Augmented
THE MAJOR INTERVALS
THE PERFECT INTERVALS
INTERVAL MEASUREMENT
Unisons or Primes
Major 2nd
Major 3rd
Perfect 4th
Perfect 5th
Major 6th
Major 7th
Perfect Octave
C TO D7-TO G7-C
16 BAR WALKING BASS PATTERN
In Key of G Three Chord Cycle
TONIC-DOMINANT IDEA
8 Bar Pattern - Key of C
Key of G
Key of D
Key of A
TONIC DOMINANT IDEA
Key of Bb
Key of Eb
Key of Ab
MAJOR CHORDS
Triads
The Major Chord
Scale of D Major
Study of Third¡¯s in D
Drink to Me Only With Thine Eyes
Study of Fifth¡¯s In D
Walking Bass Pattern In D
Another Walking Bass Pattern In D
Diatonic Study in D
12 Bar Blues Key of D
THE MINOR CHORDS
The Notation of the Major and Minor Chords
A Table of Major Key Signatures
The Major and Relative Minor Keys
TABLE OF SCALES
G Major
Ab Major
A Major
Bb Major
C Major
Db Major
D Major
Eb Major
E Major
F Major
THE DOMINANT SEVENTH CHORD
The Notation of the Dominant Seventh Chord
8 BAR-3 CHORD CYCLE IN C
8 BAR-3 CHORD CYCLE IN Db
D Major
Eb Major
E Major
F Major
Key of G
Key of Ab
Key of A
Key of Bb
THE AUGMENTED CHORD
Root-Major Third-Augmented Fifth
The Note-Spelling of the Augmented Chord
The Harmonized Harmonic Minor Scale KEEP MOVING NO. 1 - WALKING PATTERN IN C KEEP MOVING NO. 2 WALKING PATTERN THE DIMINISHED SEVENTH CHORD
The Diminished Chords on the Chromatic Scale Bb MAJOR SCALE
Boogie in Bb
Twelve to the Bar - Triplet Study in Bb
Walking Bass 3 Chord Pattern in Bb
Typical Bass Accompaniment To The Following Chord Cycle in Bb
Same Chord Pattern In -Walking Bass- Style
Typical Bass Part to the Following Chord Cycle In D Major
Triplet Study in D
Walking Bass Style
V POSITION STUDY
BOOGIE BEAT IN C
3 CHORD BLUES PATTERN IN G
12 BAR RHYTHM AND BLUES STUDY-IN KEY OF C TYPICAL BASS PART TO THE FOLLOWING CHORD CYCLE IN C MAJOR
C, A7, D7,G7,C
Same Chord Pattern in Walking Bass Style SPOOKY STUFF
A Minor Jazz Mode
8 Bar 3 Chord Cycle-Walking Bass Pattern in A Minor
Four Bar Vamp or Intro.
More 4 Bar Intro.
Relaxing (2nd and 4th position moveable)
Easy Does It (2nd and 4th position moveable form)
Key Largo Blues 3 Chord Pattern (2nd and 4th position moveable)
A Study in Octaves
Typical Bass Part in F with wide Range of Chords
Study of Fifths in G
Rhythm and Blues Pattern in G (This is a moveable pattern)
More Walking Bass 3 Chord Pattern (Key of C)
Diatonic Study in Eighth Notes
Rhythm and Blues Pattern in C (This is a moveable pattern)
Rhythm and Blues in E
Walking Bass 3 Chord Pattern (Key of G, this is a moveable pattern)
Diatonic Sequence in G
Tenths Study (On 4th and 1st Strings)
Octave Study (Using 1st and 3rd fingers on 4th and 2nd strings)
Little Brown Jug (Practice in First Position) THE C MAJOR SCALE IN 2ND POSITION AND 7TH POSITION ARE FINGERED ALIKE
Seventh Position Scale (Containing Bb)
American Patrol (A study in syncopation, 7th position)
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