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  All Products > Books > Bass Lessons >
 

Complete Electric Bass Method
ÄÄÇø®Æ® ÀÏ·ºÆ®¸¯ º£À̽º ¸Þ½îµå (·ÎÀú Çʸ®º£¸£Åä Roger Filiberto)
Book & Online Audio and Video

ÃâÆÇ»çMel Bay
ÀúÀÚRoger Filiberto
¾ÆÀÌÅÛ #MB98515M
ISBN9780786687602
ºÐ·®88 ÆäÀÌÁö
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While still available in two separate volumes (93234 and 93235) Roger Filiberto's widely-used beginning bass method is now available in one comprehensive book! Includes handy arpeggio charts featuring major, minor, augmented, diminished, and dominant seventh chords, plus their upper harmonic extensions. Applicable to any style of music, this method has gained widespread acceptance as the foundational text for electric bass study! Includes access to online audio and video.


- Contents -

THE RUDIMENTS OF MUSIC
   The Staff
   The Bass Clef
   Notes
   Rests
   The Time Signature
   Electric Bass Fingerboard Chart
STUDY ON OPEN STRINGS
   Whole Note Study
   Half Note Study
   Quarter Note Study
NOTES ON THE FOURTH STRING
   Jump Off
   Half Time
   Speeding It Up
   Dotted Half-Note
   Three-Four Time
   Mixin' It Up
   The New Comer
NOTES ON THE THIRD STRING
   A String Study
   Half Note Study
   Quarter Note Study
   Review on E and A String
   More on A String
   E and A String
   Quiet Like
   Review
   Notes on E and A String
NOTES ON THE SECOND STRING
   Review on all Three Strings
NOTES ON THE FIRST STRING
   Four String Review
THE "C" NOTE
   The Key of C
   The C Scale
   Diatonic Passages in C
   More diatonic Sequences
A STUDY IN THIRDS
   Key of C
   Lightly Row
   The Tie
   Careless Love
   Folk Song in C
   Western Folk Song
   Cielito Lindo
    Boogie in C
THE REPEAT SIGN
   On Top of Old Smokey
   Walking the Bass
   Saints Come Marching In
   Study of Fifths in C
INTRODUCING THE SHARPS (#) AND FLATS (b)
   E-String
   A-String
   D-String
   G-String
   Typical Bass Part, Using Sharps and Flats THE EIGHTH NOTE
   Eighth Notes and Eighth Rests
   Example-Using Eighth Notes
   The Dotted Quarter Note
   Twelve Bar Boogie in C
   More Boogie in C
THE KEY OF G
   The G Scale
   Thirds in G
   Eight to the Bar Boogie in G
   More Eight Bar Boogie
   Eight Bar Blues in G
   Standard Boogie Beat
   Daily Drilling
THE SCALE OF F MAJOR
   Arpeggio Study
   Scale Pattern
   Study in Thirds (Key of F)
   More Study of Thirds in F Major
   Italian Boat Song
   Study in Fifths
THE TRIPLET
   Two Circle of Sixths Patterns
   Example (Using F# and More Eighth Notes) THE SIXTEENTH NOTE
   More in C
   Still More in C
   Rock and Roll-Rhythm and Blues-Boogie Patterns
   Four Bar Blues Pattern in C
BASS PARTS
   C Major
   C Minor
   C Seventh
   C Ninth
   C Major 7
   C Minor 7
   C 6
   C Mi 6
   C Mi 9
   C Major 9
   C 9
   C 9 +
   C 11
   C 11 +
   C 13
   C 13-9
   C 9/6
THE MAJOR CHORD ARPEGGIOS
   The Major Seventh Arpeggio
   The Dominant Seventh Chord Arpeggio
   The Major Sixth Arpeggio
   The Minor Chord Arpeggio
   The Minor Seventh Arpeggio
   The Minor Sixth Chord Arpeggio
   Minor Sixth Arpeggio
   The Diminished Chord Arpeggio
   The Augmented Chord Arpeggio
   The Seventh b5
   The Seventh +5 Chord
   The 9-5 Chord Arpeggio
   The Minus Ninth Chord Arpeggio
   The Major Ninth Chord Arpeggio
   The Augmented Ninth Chord Arpeggio
   The Eleventh Chord
   The 9/6 Chord Arpeggio
AN ORCHESTRATION STYLE
THE TYPES OF INTERVALS
   Major
   Perfect
   Minor
   Diminished
   Augmented
THE MAJOR INTERVALS
THE PERFECT INTERVALS
INTERVAL MEASUREMENT
   Unisons or Primes
   Major 2nd
   Major 3rd
   Perfect 4th
   Perfect 5th
   Major 6th
   Major 7th
   Perfect Octave
C TO D7-TO G7-C
16 BAR WALKING BASS PATTERN
   In Key of G Three Chord Cycle
TONIC-DOMINANT IDEA
   8 Bar Pattern - Key of C
   Key of G
   Key of D
   Key of A
TONIC DOMINANT IDEA
   Key of Bb
   Key of Eb
   Key of Ab
MAJOR CHORDS
   Triads
   The Major Chord
   Scale of D Major
   Study of Third¡¯s in D
   Drink to Me Only With Thine Eyes
   Study of Fifth¡¯s In D
   Walking Bass Pattern In D
   Another Walking Bass Pattern In D
   Diatonic Study in D
   12 Bar Blues Key of D
THE MINOR CHORDS
   The Notation of the Major and Minor Chords
   A Table of Major Key Signatures
   The Major and Relative Minor Keys
TABLE OF SCALES
   G Major
   Ab Major
   A Major
   Bb Major
   C Major
   Db Major
   D Major
   Eb Major
   E Major
   F Major
THE DOMINANT SEVENTH CHORD
   The Notation of the Dominant Seventh Chord
8 BAR-3 CHORD CYCLE IN C
8 BAR-3 CHORD CYCLE IN Db
   D Major
   Eb Major
   E Major
   F Major
   Key of G
   Key of Ab
   Key of A
   Key of Bb
THE AUGMENTED CHORD
   Root-Major Third-Augmented Fifth
   The Note-Spelling of the Augmented Chord
   The Harmonized Harmonic Minor Scale KEEP MOVING NO. 1 - WALKING PATTERN IN C KEEP MOVING NO. 2 WALKING PATTERN THE DIMINISHED SEVENTH CHORD
   The Diminished Chords on the Chromatic Scale Bb MAJOR SCALE
   Boogie in Bb
   Twelve to the Bar - Triplet Study in Bb
   Walking Bass 3 Chord Pattern in Bb
   Typical Bass Accompaniment To The Following Chord Cycle in Bb
   Same Chord Pattern In -Walking Bass- Style
   Typical Bass Part to the Following Chord Cycle In D Major
   Triplet Study in D
   Walking Bass Style
V POSITION STUDY
BOOGIE BEAT IN C
3 CHORD BLUES PATTERN IN G
12 BAR RHYTHM AND BLUES STUDY-IN KEY OF C TYPICAL BASS PART TO THE FOLLOWING CHORD CYCLE IN C MAJOR
   C, A7, D7,G7,C
   Same Chord Pattern in Walking Bass Style SPOOKY STUFF
   A Minor Jazz Mode
   8 Bar 3 Chord Cycle-Walking Bass Pattern in A Minor
   Four Bar Vamp or Intro.
   More 4 Bar Intro.
   Relaxing (2nd and 4th position moveable)
   Easy Does It (2nd and 4th position moveable form)
   Key Largo Blues 3 Chord Pattern (2nd and 4th position moveable)
   A Study in Octaves
   Typical Bass Part in F with wide Range of Chords
   Study of Fifths in G
   Rhythm and Blues Pattern in G (This is a moveable pattern)
   More Walking Bass 3 Chord Pattern (Key of C)
   Diatonic Study in Eighth Notes
   Rhythm and Blues Pattern in C (This is a moveable pattern)
   Rhythm and Blues in E
   Walking Bass 3 Chord Pattern (Key of G, this is a moveable pattern)
   Diatonic Sequence in G
   Tenths Study (On 4th and 1st Strings)
   Octave Study (Using 1st and 3rd fingers on 4th and 2nd strings)
   Little Brown Jug (Practice in First Position) THE C MAJOR SCALE IN 2ND POSITION AND 7TH POSITION ARE FINGERED ALIKE
   Seventh Position Scale (Containing Bb)
   American Patrol (A study in syncopation, 7th position)


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