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[ÀýÆÇ]THE MASTERING ENGINEER'S HANDBOOK
ÃâÆÇ»çArtistPro
ÀúÀÚBobby Owsinski
¾ÆÀÌÅÛ #00330515
ISBN0872887413
ºÐ·®200 ÆäÀÌÁö
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- Contents -

Foreword
Indroduction (Meet the Mastering Engineers)

PART ONE: MASTERING IN STEREO

CHAPTER 1: WHAT EXACTLY IS MASTERING?
   Some History
      From Vinyl to the CD and Beyond
   Why Master Anyway?
   Why Is It So Good When the Pros Do It?
   Experience Is the Key

CHAPTER 2: THE MECHANICS OF MASTERING
   Level
      How to Get Hot Levels
      Limiting
      Compression
         - Compressor Tips and Tricks
         - Three Rules for Hot Levels
      To Normalize or Not to Normalize?

   Frequency Balance
      Frequency Feathering
      Four Rules For Frequency Balancing

   Processing on Load-In
   Editing
      Fades
         - Fade-Ins
         - Fade-Outs
      Spreads
      EDLs

   Effects

CHAPTER 3: TOOLS FOR MASTERING
   Common Elements
   The Signal Path
      The Digital Detangler
   The Monitor System
      The Acoustic Environment
      Monitors
      On the Bottom
         - Subwoofers
         - Subwoofer Placement and Adjustment Tips
      Amplifiers

   Converters
   Equalizers
   Compressors and Limiters
   Tape Machines
      Analog Tape Machines
      Digital Tape Machines

   Consoles
   The Digital Audio Workstation
      The Big Players
   The Network
   Backup
   Other Devices
      The UV-1000
      Metering
      Sample Rate Converters
      De-essers
      The Alesis Masterlink
         - CD-ROM Files


CHAPTER 4: MASTERING FOR CD
   Dither
      Rules for Using Dither
   ISRC
   CD Subcodes
   The Sony PCM-1630
      1630 Mastering Setup
   The PMCD
   DDP
   CD-R Burners
      Disc-at-Once
      Recorder Speed
      CD-R Recording Tips

   Error Checking

CHAPTER 5: CDS - HOW THEY WORK AND HOW THEY'RE MADE
   The Books
      Red Book
      Orange Book
      Blue Book
      Green Book
      Yellow Book
      White Book
      Photo CD

   How CDs Work
      Scanning the Disc
   How CDs Are Made
   CD Pressing Plants
   Of Additional Interest

CHAPTER 6: MASTERING FOR VINYL
   A Brief History of Vinyl
   The Physics of Vinyl
      Master Lacquer
      The Cutting Sylus and Cutter Head
      The Lathe
      The Mastering Console
      Equalization
      The Elliptical Equalizer

   How Records Are Pressed

CHAPTER 7: PARTS PRODUCTION
   Multiple Masters
      The CD Master
      The Cassette Master
      The Vinyl Master
      Backup Masters

   Client Refs
   Master Verification

CHAPTER 8: TEN RECORDING TIPS TO REMEMBER BEFORE MASTERING

PART TWO: MASTERING IN SURROUND

CHAPTER 9: THE FUTURE IS HERE
   First, a Bit of History
   Types of Surround Sound
      The LFE Channel
      Bass Management
      Other Types of Surround

   The Differences between Surround and Stereo
   The Surround Mix
      Surround Mix Features
   Differences between Mixes for Picture and Music
   Different Perspectives: "Audience" vs. "Onstage"
   The Center Channel
   The LFE (Subwoofer) Channel

CHAPTER 10: SURROUND MASTER MEDIA PREP
   Slate the Master
      Master Tape Track Assignments
   Print a Test Tone
   Print Time Code
   Surround to Stereo Compatibility
   Document the Details

CHAPTER 11: SURROUND EQUIPMENT
   Monitoring
   Bass Management
   Test Equipment
   The Console
   Converters
   Ourboard Gear
   Surround Master Recorders
   96/24 Anyone?
   Surround Encoders/Decoders (Codecs)
      Data Compression
      High or Low Resolution: 96/24 vs. 48/20
      Lossy and Lossless Compression
      Dolby Digital (AC-3) or DTS Encoding
      Merridian Lossless Packing

   A New Way of Working
   What the Heck Is Authoring?
   Enter DLT

CHAPTER 12: MULTICHANNEL AUDIO DELIVERY FORMATS
   DVD Basics
      Storage Capacity
      File Format

   The DVD-Video Disc
      Sonics
      DVD-Video Advantages
      DVD-Video Disadvantages

   The DTS Music Disc
      Sonics
      DTS Music Disc Advantages
      DTS Music Disc Disadvantages

   The DVD-Audio Disc
      Sonics
      Scalability
      Playback Time
      SMART Content
      Copy Protection and Watermarking
      Value Added Content
      DVD-Audio Disc Advantages
      DVD-Audio Disc Disadvantages

   The Super Audio CD (SACD)
      Sonics
      Other Data
      Super Audio CD Advantages
      Super Audio CD Disadvantages


PART THREE: THE INTERVIEWS

CHAPTER 13: THE INTERVIEWS
   About the Interviews
      Greg Calbi
      David Cheppa
      Dave Collins
      Bernie Grundman
      Bob Katz
      Bob Ludwig
      Glenn Meadows
      Bob Olhsson
      Doug Sax
      Eddy Schreyer


Glossary
About the Author
Thanks
Index


 

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