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- Contents -
About the Author
Introduction
Chapter 1 - Improvising Over Altered Dominant Chords
Lesson 1: The Diminished Scale
Train
Lesson 2: The Whole Tone Scale
Once
Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale)
Moon
Lesson 4: Using the Altered Scale Over a ii-V7-I Progression
Lesson 5: Targeting the Altered Chords - The Altered Clusters
Lesson 6: Revamping Licks
Chapter 2 - The Minor Scales and Their Modes
Lesson 1: The Melodic Minor Scale
Lesson 2: The Modes of the Melodic Minor Scale
Lesson 3: Arpeggios in the Melodic Minor Scale
Lesson 4: The Harmonic Minor Scale
Lesson 5: The Modes of the Harmonic Minor Scale
Lesson 6: Arpeggios in the Harmonic Minor Scale
Lesson 7: The ii min 7b5-V7b9-i min7 Progression
Chapter 3 - Using Arpeggios
Lesson 1: Chord Superimposition
Lesson 2: Melodic Patterns Based Around Arpeggios
Lesson 3: Melodic Patterns Based Around Chord Shapes
Chapter 4 - Eight-Tone Scales
The Eight-Tone ii-V7 Scale
The Eight-Tone I Scale
Chapter 5 - Connecting Your Ideas
Lesson 1: The Chromatic Connection
Lesson 2: Accentuating the Difference Between Keys
Lesson 3: Repeating an Idea in Different Octaves
Lesson 4: Rhythmic Motives
Lesson 5: Melodic Connection
Lesson 6: Diatonic Connection
CODA - A Medley of Suggestions and Musical Concepts
Playing on the Extensions Using Advanced Pentatonics
Playing on the Extensions Using Tones From 13 Chords
Playing With Wider Intervals
Octave Displacement
Symmetrical Motives |