버클리 음악 대학에서 기타 프로그램의 기본 교재로 사용하는 매우 실용적이면서도 이해하기 쉬운 기타 교본입니다.
실력향상을 위해 갖추어야 할 기타리스트의 기본적 기술들 - 스케일을 위한 테크닉, 아르페지오, 리듬기타, 코드/스케일 관계, 코드 구조와 발성, 고급 연주를 위한 팁 등 - 을 Volume 1과 2에 이어서 더 자세하고 심도있게 다루고 있습니다.


- Contents -

Evolution of Twelve Major Scale Fingering Patterns
A Refined Definition of Position
Speed Study
   "Solo in Bb"
Rhythm Guitar - The Right Hand (Rhumba)
Explanation of Voices in Chords
Triad Studies - Chords in C Major (Close and Open Voicings)
Afjacent Strings - Common Finger Exercises
Major Scales - Position II (Twelve Keys Ascending Chromatically)
Principal Real Melodic Minor Scale - Position II (Nine Pactical Fingerings)
Triad Studies - Chords in G Major (Close and Open Voicings)
Arpeggios - Three-Note Chords - Major Triads
Arpeggios - Three-Note Chords - Minor Triads
About Chord Symbols
Reference Chart for Major Scale Fingering Types
Major Scales - Position III (Twelve Keys Descending Chromatically)
   "Melodic Rhythm Study No.8" (duet)
About Practicing
Triad Studies - Chords in F Major (Close and Open Voicings)
Technical Study
About Chord Construction
Major Scales - Position IV (Twelve Keys Through Cycle 5)
Principal Real Melodic Minor Scales - Position IV (Nine Practical Fingerings)
Chord Construction - Four-Part Harmony
Arpeggios - Four-Note C Chords
Rhythm Guitar - The Right Hand (Tango, Merengue)
C Major Scales (Twelve Positions)
Natural Minor Scales
Modes - A Brief Discussion
Harmonic Minor Scales
A Harmonic Minor (Nine Positions)
   "A Minor Etude" (solo)
Melodization of Triads
Recognition of Melodic Degrees - Altered 5 and #4
About Chord Voicings
Arpeggios - Four-Note F Chords
Arpeggios - Four-Note G Chords
Chords-Scale Relationships - Dominant 7 Chords
Major Scales - Position V (Twelve Keys Descending Chromatically)
Principal Real Melodic Minor Scales - Position V
Chord Construction - Three-Note Voicings
Melodization of Tonic Major Chords
Melodization of Tonic and Subdominant Minor Chords
Diminished Scales - In Position
Chord Construction (Three-Note Voicings) Domininant 7 Chords (Preparation of Close Voicings)
   Recognition of Melodic Degrees - Dominant 7 Chords
   Speed Study
Arpeggios - Four-Note Bb Chords
Arpeggios - Four-Note D Chords
   "Melodic Rhythm Study No. 9" (duet)
Rhythm Guitar - The Right Hand (Mambo, Bolero, Conga)
Legato-Stacatto (Explanation of Portato)
F Major Scale (Twelve Positions)
D Harmonic Minor (Nine Positions)
   "Etude in D Minor" (solo)
Melodic Embellishment - The Appoggiatura
Rhythm Guitar - The Right Hand (5/4 Swing)
About Altered Chords and Chord Degrees
Arpeggios - Four-Note Fb Chords
Arpeggios - Four-Note A Chords
Chord Construction - Three Notes - Melodization of Dominant 7 Chords
   Melodization of I Minor Chords with Harmonic Minor Scale
   Arpeggio Studies - 7th Chords
   "Melodic Rhythmic Study No.10" (duet)
Major Scales - Position VII (Twelve Keys Ascending Chromatically)
Principal Melodic Minor Scales - Position VII
Chords (Three Notes) Melodization of Diminished Triads (Including Open Voicings)
Chords (Three Notes) Melodization of Augmented Triads (Including Open Voicings)
Arpeggios - Four-Note Ab Chords
Arpeggios - Four-Note E Chords
G Major Scale (Twelve Positions)
E Harmonic Minor (Nine Positions)
   "E Minor Etude" (solo)
Chord-Scale Relationships - Dominant 7 Chords
Practical Fingers for Moving from Position to Position
Chord Construction (Three Notes) Diminant 7 Chords - Preparation of Close and Open Voicings
Arpeggios - Four-Note Db Chords
Arpeggios - Four-Note B Chords
Rhythm Guitar - The Right Hand (Samba)
   "Polka dot" (Polka-Duet)
Major Scales - Position VIII (Twelve Keys Through Cycle 5)
Chords (Three-Note Voicings) Melodiza of Tonic Major Chords
   Melodization of Minor 7 Chords as VIm7 (Diatonic Substitution Explanation)
   Melodization of Subdominant Major Chords
   Melodization of Minor 7 Chords as IIm7
Arpeggios - Four-Note F# Chords
Arpeggios - Four-Note Gb Chords
Arpeggios - Four-Note C# Chords
Arpeggios - Four-Note Cb Chords
Chords (Three-Note Voicings) Dominant 7 Chords - Open Voicings - All Inversions
B Major Scale (Twelve Positions)
G Harmonic Minor (Nine Positions)
   "Etude in G Minor" (solo)
Arpeggios - Diminished Chords (Spelling Most Used)
Arpeggios - Dominant 7 (b5) Chords
Theory : Diatonic 7 Chords - Harmonic Minor (Including Diatonic Substitutions)
Arpeggio and Scale Study
Chords (Three-Note Voicings) Melodization of Subdominant Minor 6 Chords
   Melodization of Minor 7(b5) as Altered IIm7 Chords
   Melodization of Dominant 7 Chords as IV7 and bVII7
   Melodization of Dominant 7 Chords as IV7
Major Scales - Position X (Twelve Keys Through Cycle 5)
Principal Real Melodic Minor Scales (Position X)
Chords (Three-Note Voicing) Major 6 and Major 7 Chords - All Inversions
Chord Construction - Five-Part Harmony
Five-Note Arpeggios Major 7/9 and Dominant 9 Chords
   "Daydreams" (duet)
Five-Note Arpeggios - Minor 9 and Diminished 9 Chords
D Major Scale (Twelve Positions)
B Harmonic Minor (Nine Positions)
   "B Minor Etude" (solo)
Chords (Three-Note Voicings) Dominant 7 Chord Study with b5 (Chromatic Approach)in the Bass
About Chord Progressions (Cycle 5)
Theory : Interchaneable Chord Structures
Rhythm Guitar - The Right Hand (Joropo, Nanigo)
Arpeggio Study - Seventh Chords
Chords (Three-Note Voicings) Melodization of Minor 7 Chords as IIIm7
   Melodization of Minor 7(b5) Chords as IIIm7(b5)
   Chromatic Melodization of Dominant 7 Chords (Close and Open Voicings)
   "Melodic Rhythm Study No.11" (Optional Duet with Rhythm Guitar)
Five-Note Arpeggios - Minor 6(9), Dominant 9sus4, and Dominant 7(b9)
Chords (Three-Note Voicings) Minor 7 and Minor 6 Chords - Close and Open Voicings
   Minor 7 Chords - Open Voicings - All Inversions
   IIm7-V7-I Chord Study
Chord-Scale Relationships - Special Alterrations on Dominant 7 Chords
   "Pretty Please" (duet)
Five-Note Arpeggios - Domminant 7(+9) Chords
Harmonizing of a Melody - From a Lead Sheet with Chords Indicated
Eb Major Scale (Twelve Positions)
   "Etude in C Minor" (solo)
Chord-Scale Relationships - Major Chords, Minor 7 Chords
Chords (Three-Note Voicings)
   Minor 7 and 6 Chords - Close and Open Voicings
   Minor 6, Minor 7 Chords - Open Voicings, All Inversions
Five-Note Arpeggios - Domminant 7(+5, +9), Dominant 9(+5), and Dominant 7(+5, b9) Chords
Chords (Three-Note Voicings)
   Melodization of I Minor Chords with Harmonic Minor Scale
   Melodization of IIm7(b5) Chords with Harmonic Minor Scale
   Melodization of Dominant 7 Chords with Harmonic Minor Scale
    "Teeah-Wanna" (Optional Duet with Rhythm Guitar)
Rhythm Guitar - The Right Hand ("Paso Doble")
Chord Study - Minor 7 with b5 (Chromatic Approach in the Bass)
Chord Spelling - Five-Note Arpeggios - Minor (maj7/9) and Dominant 7(b5, b9) Chords
Chord-Scale Relationships - Minor 6 and Minor 7(b5) Chords
A Major Scale (Twelve Positions)
F# Harmonic Minor (Nine Positions)
   "F# Minor Etude" (solo)
Chord Spelling - Five-Note Arpeggios - Dominant 7(b9) sus4 and Dominant 9(b5) Chords
Chord (Three Notes) Study in F Major and Study in F Harmonic Minor
Chord Spelling - Five-Note Arpeggios - Dominant 7+9 sus4 and Dominant 7(b5, +9) Chords
Additional Fingerings for Minor Scales
Chord-Scale Relationships - Diminished 7 Chords - Augmented Traids
Chords - Preparation of Four-Part Open Voicings - Adding the 5th Degree
   Preparation of Four-Part Open Voicings - Adding the Root
Chord Spelling - Five-Note Arpeggios - Minor 9(b5) Chords
About Improvisation
   "It's Late" (dute)
Chords - Preparation of Four-Part Open Voicing - Adding the 3rd Degree
   Preparation of Four-Part Open Voicing - Adding the 7th Degree
Scale-Chord Relationships - Major, Hamonic Minor, Real Melodic Minor, Whole Tone, and Diminished as Related to Chords