µµ¼­
DVD
Sun499 Gigbags
½ã499 ±ã¹é
Sun499 Pedalboards
½ã499 Æä´Þº¸µå
Sun499 Straps
½ã499 ½ºÆ®·¦
Aguilar®
¾Æ±Ð¶ó
Comfort Strapp®
ÄÄÆ÷Æ® ½ºÆ®·¦
Danelectro®
´íÀÏ·ºÆ®·Î
G&L®
Áö¿£¿¤
G&L® Tribute
Áö¿£¿¤ Æ®¸®ºäÆ®
ModTone® Effects
¸ðµåÅæ ÀÌÆåÅÍ
Pyramid® Strings
ÇǶó¹Ìµå ½ºÆ®¸µ
SNARK® Tuners
½º³ªÅ© Æ©³Ê
Souldier® Strap
¼ÖÀú ½ºÆ®·¦
Spectraflex® Cables
½ºÆåÆ®¶óÇ÷º½º ÄÉÀ̺í
StringSwing® Display
½ºÆ®¸µ½ºÀ® µð½ºÇ÷¹ÀÌ
¹ÂÁ÷¾ØºÏ½º
ȸ»ç¼Ò°³
About Us
Á¦Ç°¼Ò°³
Products
´ë¸®Á¡
Where to buy
°ø¿¬¾È³»
Live Info
  All Products > Books > Bass Lessons >
 

Theory for the Contemporary Bassist
The Ultimate Guide to Music for Blues, Rock, and Jazz Bassists
Book & CD

ÃâÆÇ»çAlfred
ÀúÀÚTracy Walton
¾ÆÀÌÅÛ #00-33499
ISBN9780739062890
ºÐ·®96 ÆäÀÌÁö
¿ø»êÁö¹Ì±¹


º£À̽º ¿¬ÁÖÀڵ鿡°Ô ÇʼöÀûÀÎ À½¾Ç ÀÌ·ÐÀÌ ÃѸÁ¶óµÇ¾î ÀÖ´Â º£À̽º ±³º»ÀÔ´Ï´Ù.
½±°íµµ ´Ü°èÀûÀÎ ·¹½¼µéÀ» ÅëÇØ ´Ù¾çÇÑ À½¾Ç ½ºÅ¸ÀÏÀÇ º£À̽º ¿¬ÁÖ¸¦ ÇÒ ¼ö ÀÖ°Ô µË´Ï´Ù.
º£À̽º ÇÁ·¿º¸µå ¸®ºä¿Í ³·Àº À½ÀÚ¸®Ç¥ÀÇ ¾Çº¸ Àд ¹ýÀ» ½ÃÀÛÀ¸·Î ½ºÄÉÀÏ, ÀÎÅ͹ú, ÄÚµå, ÇÁ·Î±×·¹¼ÇÀ» ºñ·ÔÇØ 3¿ÂÀ½ÀÇ ±³Ã¼, ¼­ºê ÄÚµå ¹× ¸ðµâ·¹À̼ǿ¡ ´ëÇÑ ³»¿ë µîÀÌ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.
Áß°£Áß°£¿¡ ½Ç·ÁÀÖ´Â ÃÑ 25°³ÀÇ ½ÃÇè¹®Á¦ÁöµéÀ» ÅëÇØ ¹è¿î Áö½ÄÀÇ ½Àµæ Á¤µµ¸¦ ½º½º·Î Å×½ºÆ®ÇÒ ¼ö ÀÖ°Ô ±¸¼ºµÇ¾î ÀÖ½À´Ï´Ù.
¾Çº¸ Àд ´É·ÂÀÇ Çâ»óÀ» À§ÇØ Å¸ºê¾Çº¸´Â ¼ö·ÏµÇ¾î ÀÖÁö ¾ÊÀ¸¸ç ¸ðµÎ ³·Àº À½ÀÚ¸®Ç¥ÀÇ ¿À¼±¾Çº¸·Î µÇ¾î ÀÖ½À´Ï´Ù.
À½¾Ç ÀÌ·ÐÀ» ¸¶½ºÅÍÇϱ⠿øÇÏ´Â ¸ðµç º£À̽ýºÆ®µéÀÇ Çʵ¶¼­ÀÔ´Ï´Ù.


- Contents -

About the Author
Introduction

Chapter 1: The Basics
   The Natural Note
   Pitch Notation
   Accidentals
   Enharmonic Equivalents
   -Worksheet 1:Fretboard Knowledge,Natural Notes and Accidentals
   Ledger Lines
   -Worksheet 2:Fretboard Knowledge and Pitch Notation
   Time Notation
   The Rules for Accidentals; Introducing Naturals
   Triplets
   Meter
   Odd Time
   -Worksheet 3:Time Notation

Chapter 2: Scales, Keys and Key Signatures
   The Major Scale
   Key signatures
   The Cycle of 4ths and 5ths
   -Worksheet 4:Major Scales and Key Signatures
   Relative Minor Keys
   The Natural Minor Scale
   Parallel Minor Keys
   -Worksheet 5:Relative Major and Minor;Parallel Minor

Chapter 3: Intervals
   Major and Perfect Intervals
   Minor Intervals
   Diminished and Augmented Intervals
   Inverting Inervals
   -Worksheet 6:Intervals and Interval Inversions

Chapter 4: Introducing Chords
   Triads
   -Worksheet 7:Triads
   Inverting Triads
   -Worksheet 8:Inverted Triads
   Diatonic Triads in Major Keys
   Diatonic Triads in Minor Keys(Natural Minor Scale)
   -Worksheet 9:Diatonic Triads

Chapter 5: 7th Chords
   -Worksheet 10:7th Chords
   Inverting 7th Chords
   -Worksheet 11:Inverting 7th Chords
   Diatonic 7th Chords in Major Keys
   Diatonic 7th Chords in Minor Keys
   -Worksheet 12:Diatomic 7th Chords
   The Diminished 7th Chord
   -Worksheet 13:Diminished 7th Chords

Chapter 6: Pentatonic Scales
   Major Pentatonic Scale
   Minor Pentatonic Scale
   -Worksheet 14:Pentatonic Scales
   The Blues Scale
   The Altered Blues Scale
   -Worksheet 15:Blues and Altered Blues Scales

Chapter 7: Modes of The Major Scale
   Ionian
   Dorian
   Phrygian
   Lydian
   Mixolydian
   Aeolian
   Locrian
   -Worksheet 16:Modes of the Major Scale

Chapter 8: Expanding Your Chord Vocabulary
   6th Chords
   Extended Chords
   Suspended Chords
   Altered Major, Minor and Dominant Chords
   -Worksheet 17: 6th, Extended, Add 9, Sus and Altered Chords

Chapter 9: Two More Minor Scales
   The Minor Harmonic Minor Scale
   Modes of the Harmonic Minor Scale
   -Worksheet 18: The Harmonic Minor Scale
   The Melodic Minor Scale
   Modes of the Melodic Minor Scale
   -Worksheet 19: The Melodic Minor Scale
   Symmetrical Scales
   Diminished Scales

Chapter 10: Chord Progreessions
   The Primary Chords-I,IV and V
   Diatonic Chord Progresions in Major Keys
   Diatonic Chord Progressions in Minor Deys
   -Worksheet 20: Chord Progressions

Chapter 11: More Chord Progressions
   The ii-V-I Progression
   Secondary Dominants
   Tritone Substitutions
   Borrowed Harmony
   Modulation
   Worksheet 21: Primary Chords, ii-V-I Progressions, Secondary Dominants and TritoneSubstitutions

Chapter 12: Passing Tones and Approach Notes
   Passing Tones
   Approach Notes
   Double-Chromatic Approaches
   Scale-Step Approaches
   Combining Scale and Chomatic Approaches
   Surround Approaches
   Dominant Approaches
   -Worksheet 22: Approach Note

Chapter 13: The 12-Bar Blues
   The Major 12-Bar Blues
   The Quick IV
   More Variations
   Tumarounds and Endings
   -Worksheet 23: Major and Minor Blues
   Jazz-Blues
   Jazz-Blues Variations
   -Worksheet 24:Jazz-Blues

Chapter 14: Rhythm Changes
   Alternate Bridge
   -Worksheet 25: Rhythm Changes

Chapter 15: Bebop Scales
   Major Bebop Scale
   Minor Bebop Scale

Chapter 16: Revisiting Slash Chords
   Descending Bass Lines for One Chord
   Descending Bass Lines for Multiple Chords
   Common Tones
   Pedal Tones

Congratulations!


 

Copyright © 2006-2016 Music N Books. All rights reserved.