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- Contents -

BEGINNING

INTRODUCTION

CHAPTER 1 - Review
Rhythm and Time Signature
Intervals
Interval Inversion
Key Signatures
The Circle of 5ths
Major Scales
Natural Minor Scales
Harmonic Minor Scales

CHAPTER 2 - Intro to Harmony
Triads
   In Harmony
Inversions
Voicing
   Twilight in Sandy Hook
Diatonic Harmony
Chord Function and Chord Progressions
   Ton Doo
Lead Sheets
   Ton Doo (lead sheet style)
Minor Harmony
   Nellie's Woe (lead sheet)
   Nellie's Woe
Blues Progressions
   Purple Blues (lead sheet)
   Purple Blues

CHAPTER 3 - Feel, Scales and Soloing
Style
Swing Feel
Soloing with the Major Scale
   Sponge on a Stick
The Major Pentatonic Scale
   Fatha Fatha
Syncopation
   Solo on Fatha Fatha
The Minor Pentatonic Scale
Embellishing a Melody
   Basie's Minor Boogie
The Blues Scale
Two and Four
   Yes, Les McCann Can

CHAPTER 4 - Intro to Four-Note Chords
6th Chords
Inversions of 7th and 6th Chords
   All You Need is Seven
Diatonic Harmony with 7th Chords
   A Jog Around the Block
Minor Harmony with 7th Chords
   95 in the Shade

CHAPTER 5 - Voicing 7th Chords
Voice Leading
   Well, How About Bridgeport?
Lead Sheets with 7th Chords
   Bouncin' with Bill E (lead sheet)
   Bouncin' with Bill E
Shell Voicings
   Bouncin' with Bill E (Shell Voicings)
Bebop Style Left-Hand Voicings
   Bouncin' with Bill E (Bebop Style Left-Hand Voicings)
Rootless Left-Hand Voicings
   Bouncin' with Bill E (Rootless Left-Hand Voicings)
Rootless Shell Voicings
   Bouncin' with Bill E (Rootless Shell Voicings)
Comping
   Bouncin' with Bill E (Sample Solo with Comping)
   All Hail the King
   Tommy's Touch

CHAPTER 6 - Scales and Soloing, Part Two
Harmonic Analysis
   Pebble Hill
   Brother Jack and Sister Shirley
Harmonic Analysis in Minor Keys
   Blue Drew
Natural Minor vs. Harmonic Minor: The Choice
   Mingus Reincarnated
Progressions with Modulations
   Bright Red
   You Neeque
   You Neeque (sample solo)
Memorizing Changes
Transposing Changes
   Senor Ruiz

CHAPTER 7 - More Soloing
Melodic Scale Patterns
Arpeggios
Mixing It Up
   Wonder-ful
   (Sample Solo #1 on) Wonder-ful
   (Sample Solo #2 on) Wonder-ful (with Comping)

CHAPTER 8 - Afterword
Ear Training
Types of Keyboards
Tunes
Recordings


INTERMEDIATE

INTRODUCTION

CHAPTER 1 - Review
Intervals
Triads
7th Chords
Diatonic Harmony
Voicings
Four-Note Voicings
Shell Voicings
Bebop-Style Left-Hand Voicings
Three Note Rootless Voicings
Rootless Shell Voicings
Harmonic Analysis
Scales
Arpeggios
Lead Sheets
   Trekkin'(Lead Sheet)
   Trekkin' (Two-Handed Chords with Melody onTop)
   Trekkin' (Melody in Right Hand, Chords in Left)

CHAPTER 2 - Modes of thfe Major Scale
The Dorian Mode
   Iceberg
The Lydian Mode
   Courtesy Call
The Mixolydian Mode
   Blues in Bloom
The Phrygian Mode
The Locrian Mode
The Ionian and Aeolian Modes
Using Modes with Diatonic Progressions
   Struttin' with Fats
   Still Waiting

CHAPTER 3 - Chord Extensions
Dominant Extensions
   Flex, Extend
Major Extensions
   Groove for Groove
Minor and Diminished Extensions
   Bello Scrofani
Left-Hand Voicings with Extensions
   The Squirrel and the Dog
Using Other 7th Chords for Voicings with Extensions
   RememberYour Principles

CHAPTER 4 - Making the Changes
The Role of Rhythm in Making the Changes
Making the Changes with Modes
   All Them Thangs
Using Chromatic Tones
The Bebop Scale
   Do Light at Tadd's House
Addressing Changes as They Change: Guidetones
Review: Linking Arpeggios
   At Least Fifty Feet
   1,2,3 ...

CHAPTER 5 - Substitutions
Tritone Substitution
   Tritone Madness
Mixing and Matching Major and Minor Harmony
   Mambo Para Eddie Y Chucho
Using Dominant Chords in Cycles
   Boppin' with J-Mac
Rhythm Changes
   Rhythm Changes
   Golden Silver
   Pac-Man
   Sample Rhythm Changes Solo

CHAPTER 6 - The Blues
Basic Blues Progression
   Bu's Blues
Bebop-Style Progression
   Guh-Zap
"Bird" Blues
   Blues for Bird
Minor Blues
   Mr. Dee Gee
Non-Traditional Blues Changes
   Newk's Kinda Blues
Blues Devices and Feel
When to Use Blues Devices and Feel
   The Phinest Blues
   Commercial Ave. and Suydam St

CHAPTER 7 - Altering Dominant 7th Chords
The b9 chord
The #9 Chord
The b5 Chord
The #5 Chord
   24 Hours, But Not in a Row
Double Tension Chords
   Rowles with the Changes
Chords with Both Altered and Unaltered Extensions
   Long Point
   Sprint the 400

CHAPTER 8 - Comping
Working Within the Rhythm Section
Supporting the Soloist
   First Chorus
   First Chorus, Comping
   Third Chorus
   Third Chorus, Comping
   Sixth Chorus
   Sixth Chorus, Comping
Comping Latin Grooves

CHAPTER 9 - Afterwords
   Carob Powder
Playing Out and the Jazz Hang
Tunes
Recordings


MASTERING

INTRODUCTION

CHAPTER 1 - Review
Modes of the Major Scale
Extended and Altered Chords
Substitution
Making the Changes
   Loafin' Blues

CHAPTER 2 - Modal Playing and 4th Voicings
4th Voicings
"So What" Voicings
   George's Concept
Parallel Voicings
   Georges Concept: Parallel So What Voicings
Modal Soloing
Lyricism and Pacing
Chords
Sidestepping and Resolving
   George's Concept Sample Solo

CHAPTER 3 - Advanced Substitution & Reharmonization
Cycles
Rhythm Changes
   Riffin' in Rhythm
   Talk to Me, Brownie
   Remembering Two Giants
   Sample Rhythm Changes Solo
Coltrane Changes
   It Takes Big Feet
   All Them Thangs Trane Was
   Ted, Can You Dig It?
Putting These Substitutions to Work

CHAPTER 4 - New Scales
The Jazz Melodic Minor Scale
Modes of the Melodic Minor
   The Melodic Miners
Symmetrical Scales: Diminished & Whole Tone
   Condiment Man
Modes of the Harmonic Minor
   Greene Machine
The Lydian Diminished Scale and Its Modes
   Lennieage
   Un Portrait de Michel
   Blues for Yusef

CHAPTER 5 - Triads & Pentatonic Scales Revisited
Triads Revisited
Upper Structures
Chart: Triad Possibilities for 7th Chord Voicings & the Extended Colors They Imply
   You Neeque: Chord Study with Upper Structures
Bi-Tonal Triads
   Keith's Inspiration
   Climb That Beanstalk
Pentatonic Scales Revisited
   Herbie Times Five
   HerbieTimes Five: Sample Solo
Using Multiple Pentatonics in Modal Playing
   George's Concept Sample Solo with Multiple Pentatonics
Pentatonics in Modal Playing: "Takin' It Outside"
   George's Concept: Sample Solo with Outside Pentatonics

CHAPTER 6 - Solo Playing
   Big Brother Hank
Walking Bass
   Big Brother Hank: Walking Bass
Stride
   Big Brother Hank: Stride
Leaving More Space
   Big Brother Hank: Sample Solo
Ballads
   An Evening with Kate
Playing the Melody
   An Evening with Kate: Solo Keyboard
   An Evening with Kate: Sample Solo
Duo Playing

CHAPTER 7 - Building Intensity
Octaves
   Tune for Timmons
Block Chords: Locked Hands Style
   Lock-Up
Rhythmic Devices
   Bley-zin
Clusters
   Cecil's Revolution Blues
Non-Diatonic Progressions
   Shorter but Hipper
Playing Over Non-Diatonic Changes
Voicings
   Shorter but Hipper: Sample Solo

CHAPTER 8 - Afterwords
   Maybe
   Maybe: Sample Solo
Special Situations
Recordings