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1: À½ÀÚ¸®Ç¥(Clef)ÀÇ Á¾·ù
2: ¹ÚÀÚÀÇ Á¾·ù
3: ¸®µë(Rhythm)ÀÇ Á¾·ù
4: ¾Ç°î Çü½Ä
5: À½Á¤ °ü°è(Intervals)
6: ÀåÀ½°è(Diatonic Chords)
7: 3¼ººÎ(Triad)
8: 4¼ººÎ(Seventh Chord)
±ÙÀ½Çü & ÀüÀ§Çü(Root Position & Inversion)
9: Chord Scales
12 Key Diatonic Chords
10: 2Â÷ ¼Ó7ÈÀ½(2ndary Dominant 7th Chords)
Dominant Resolution
2ndary Dominant 7th Chord Scale
2ndary Dom7th ÄÚµåÀÇ »ç¿ë ¹æ¹ý
Extended Dominants
Cycle of 5th
Dom7th Äڵ带 II7 - V7 ÄÚµå·Î º¯È¯½ÃÅ°´Â ¹æ¹ý
Augmented Chords
Augmented Chords Scale
11: Modal Interchange (Additional Chords)
bIImaj7
bIIImaj7
IV-7
bVImaj7
bVIImaj7
Lap (CD No 10-12)
12 Keys Lydian ½ºÄÉÀÏ
12: ´ë¸®ÈÀ½(Substitute Dominant 7th Chords)
´ë¸®ÈÀ½ »ç¿ë¹ý
´ë¸®ÈÀ½ÀÇ À½°è (SubV7 Scale)
Lap (CD No 15-16)
Lydian b7 Scales
12Key ÄÚµå ½ºÄÉÀÏ Á¤¸®
13: Altered Dom7th ÄÚµå
Lap (CD No 18)
Altered Scales
14: Diminished Chords
Diminished ÄÚµåÀÇ ºÐ¼®
Diminished ÄÚµåÀÇ Á¾·ù
Dominant ±â´ÉÀ» °¡Áø Diminished ÄÚµå
Dominant ±â´ÉÀÌ ¾ø´Â Diminished ÄÚµå
Deceptive Resolution
Diminished ScaledÀÇ ºÐ·ù
Diminished Scales
15: Minor Scale & Chord
Natural Minor Chord
Harmonic Minor Chord
Melodic Minor Chord
Modal Interchange
16: Harmonization(ȼºÀÇ ¹èÄ¡)
17: MinorÀÇ 2ndary dom7th ÄÚµå
18: Related II-V7 ÄÚµå
II-7°ú 2ndary Dom7th ÄÚµå
#IV-7b5
II-7°ú SubV7th Chords
Deceptive Resolutions
Contiguous II - V7
II - V7 Patterns
ÀÚÀ¯Çü
19: II - V7 Piano Voicing
II - V7 Chord Progression
20: Blues
Blues Scale
Basic Blues Chord ÁøÇà
Blues Variations
Minor Blues
21: Mode
Dorian
Dorian Cadence 185
Phrygian
Phrygian Cadence
Aeolian
Aeolian Cadence
Lydian
Lydian Cadence
Mixolydian
Mixolydian Cadence
22: Modulation(ÀüÁ¶)
Pivot Chord Modulation
Direct Modulation
23: Compound Chord(º¹ÇÕȼº)
Poly chord¿Í Triad over Bass
Hybrid Chord
Hybrid ÄÚµå¿Í ½ºÄÉÀÏ
Major Chord ˤ˂ Major Chord
Major Chord ˤ˂ minor Chord
Minor Chord ˤ˂ Major Chord
24: Advanced Modal Harmony
Melodic MinorÀÇ Mode ½ºÄÉÀÏ
Dorian b2 ½ºÄÉÀÏ & ÄÚµå
Lydian Augmented ½ºÄÉÀÏ & ÄÚµå
Lydian b7 ½ºÄÉÀÏ & ÄÚµå
Mixolydian b13
Locrian #2 & Super Locrian
Harmonic MinorÀÇ Mode ½ºÄÉÀÏ
Locrian #13 ½ºÄÉÀÏ & ÄÚµå
Ionian Augmented ½ºÄÉÀÏ & ÄÚµå
Dorian #4 ½ºÄÉÀÏ & ÄÚµå
Mixolydian b9, b13th ½ºÄÉÀÏ & ÄÚµå
Lydian #2 ½ºÄÉÀÏ & ÄÚµå
Tetrachord(4À½°è)
TetrachordÀÇ Á¾·ù
Pentatonic(5À½°è)
Major Pentatonic ½ºÄÉÀÏ
Minor Pentatonic ½ºÄÉÀÏ
Pentatonic ½ºÄÉÀÏÀÇ Modes
Pentatonic ¸ðµåÀÇ ºÐ¼®
Pentatonic ½ºÄÉÀÏÀ» ÀÌ¿ëÇÑ Improvisations
Improvisation¿¡ »ç¿ëÇÏ´Â Pentatonic Scales
Pentatonic Scales
Hexachord(6À½°è)
µµµÏ °í¾çÀÌ
25: ½ÇÀü ÀÀ¿ë¹æ¹ý
Upper Structure Triad
Upper Structure Triad¸¦ ÀÌ¿ëÇÑ Arpeggio
Re-harmonization
� Diatonic Äڵ带 ±Ø´ëÈ ½ÃÅ°´Â Re-Harmonization
� 2ndary Dom7th Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� Modal Interchange Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� SubV7 Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� II7-V7 Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� Compound Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
Lay out
26: Æí°îÀÇ ±âº» ¿ä¼Ò
Background , Ostinato, Pedal Point, Pads, Fill in, Obbliqnto ¶Ç´Â Filler
The Surfing (CD No 70)
űǵµ Intro (CD No 71)
27: Chord Ear Training 1-2
28: Scales
29: Chord Types
Low Interval Limit
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°üÇö¾Ç ¿ë¾î
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