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Mr.¿¬ÀÇ ÀçÁîÈ­¼ºÇÐ
Book & CD

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¾ÆÀÌÅÛ #4034317
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ÀÛ°î¿¡¼­ ÁïÈ↓ÁÖ±îÁö... Àü¹®°¡µéÀÌ ÁúÅõÇÒ ¸ðµç °Íµé! Áö·çÇÏ°Ô ³ª¿­Çϱ⸸ ÇÏ´Â È­¼ºÇРåÀº °¡¶ó!! ÀÌÁ¦ ¹Ì½ºÅÍ ¿¬ÀÇ ÀçÁîÈ­¼ºÇÐÀ¸·Î Àç¹ÌÀÖ°Ô °øºÎÇÏÀÚ!
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CD ¿¹Á¦¸¦ µéÀ¸¸é¼­ ÀçÁîÈ­¼ºÇÐÀÌ Ã¥ÀÌ ¾î¶»°Ô Àû¿ëµÇ´ÂÁö Á÷Á¢ È®ÀÎÇÒ ¼ö ÀÖ°í ¹æ¼ÛÀ½¾Ç¿¡¼­ Á÷Á¢ »ç¿ëÇÑ °îÀ» ¿¹Á¦·Î µé¸é¼­ ¼³¸íÇÏ°í Àֱ⿡ ½ÇÁ¦ÀûÀ¸·Î Àû¿ëÇÒ ¼ö ÀÖ½À´Ï´Ù.
¶ÇÇÑ ±¹³» ±³Àç¿¡¼­´Â Çѹøµµ ¼³¸íµÈ ÀûÀÌ ¾ø´Â Advanced Harmony¸¦ ¼ö·ÏÇÏ¿©¼­ º¸´Ù °í±ÞÀûÀÎ È­¼ºÇÐÀ» Á¤¸®ÇÏ°í ½ÍÀº ºÐµé¿¡°Ô Å« µµ¿òÀÌ µÇ°í ÀÖ½À´Ï´Ù.
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- Â÷·Ê -

1: À½ÀÚ¸®Ç¥(Clef)ÀÇ Á¾·ù

2: ¹ÚÀÚÀÇ Á¾·ù

3: ¸®µë(Rhythm)ÀÇ Á¾·ù

4: ¾Ç°î Çü½Ä

5: À½Á¤ °ü°è(Intervals)

6: ÀåÀ½°è(Diatonic Chords)

7: 3¼ººÎ(Triad)

8: 4¼ººÎ(Seventh Chord)
±ÙÀ½Çü & ÀüÀ§Çü(Root Position & Inversion)

9: Chord Scales
12 Key Diatonic Chords

10: 2Â÷ ¼Ó7È­À½(2ndary Dominant 7th Chords)
Dominant Resolution
2ndary Dominant 7th Chord Scale
2ndary Dom7th ÄÚµåÀÇ »ç¿ë ¹æ¹ý
Extended Dominants
Cycle of 5th
Dom7th Äڵ带 II7 - V7 ÄÚµå·Î º¯È¯½ÃÅ°´Â ¹æ¹ý
Augmented Chords
Augmented Chords Scale

11: Modal Interchange (Additional Chords)
bIImaj7
bIIImaj7
IV-7
bVImaj7
bVIImaj7
Lap (CD No 10-12)
12 Keys Lydian ½ºÄÉÀÏ

12: ´ë¸®È­À½(Substitute Dominant 7th Chords)
´ë¸®È­À½ »ç¿ë¹ý
´ë¸®È­À½ÀÇ À½°è (SubV7 Scale)
Lap (CD No 15-16)
Lydian b7 Scales
12Key ÄÚµå ½ºÄÉÀÏ Á¤¸®

13: Altered Dom7th ÄÚµå
Lap (CD No 18)
Altered Scales

14: Diminished Chords
Diminished ÄÚµåÀÇ ºÐ¼®
Diminished ÄÚµåÀÇ Á¾·ù
Dominant ±â´ÉÀ» °¡Áø Diminished ÄÚµå
Dominant ±â´ÉÀÌ ¾ø´Â Diminished ÄÚµå
Deceptive Resolution
Diminished ScaledÀÇ ºÐ·ù
Diminished Scales

15: Minor Scale & Chord
Natural Minor Chord
Harmonic Minor Chord
Melodic Minor Chord
Modal Interchange

16: Harmonization(È­¼ºÀÇ ¹èÄ¡)

17: MinorÀÇ 2ndary dom7th ÄÚµå

18: Related II-V7 ÄÚµå
II-7°ú 2ndary Dom7th ÄÚµå
#IV-7b5
II-7°ú SubV7th Chords
Deceptive Resolutions
Contiguous II - V7
II - V7 Patterns
ÀÚÀ¯Çü

19: II - V7 Piano Voicing
II - V7 Chord Progression

20: Blues
Blues Scale
Basic Blues Chord ÁøÇà
Blues Variations
Minor Blues

21: Mode
Dorian
Dorian Cadence 185
Phrygian
Phrygian Cadence
Aeolian
Aeolian Cadence
Lydian
Lydian Cadence
Mixolydian
Mixolydian Cadence

22: Modulation(ÀüÁ¶)
Pivot Chord Modulation
Direct Modulation

23: Compound Chord(º¹ÇÕÈ­¼º)
Poly chord¿Í Triad over Bass
Hybrid Chord
Hybrid ÄÚµå¿Í ½ºÄÉÀÏ
Major Chord ˤ˂ Major Chord
Major Chord ˤ˂ minor Chord
Minor Chord ˤ˂ Major Chord

24: Advanced Modal Harmony
Melodic MinorÀÇ Mode ½ºÄÉÀÏ
Dorian b2 ½ºÄÉÀÏ & ÄÚµå
Lydian Augmented ½ºÄÉÀÏ & ÄÚµå
Lydian b7 ½ºÄÉÀÏ & ÄÚµå
Mixolydian b13
Locrian #2 & Super Locrian
Harmonic MinorÀÇ Mode ½ºÄÉÀÏ
Locrian #13 ½ºÄÉÀÏ & ÄÚµå
Ionian Augmented ½ºÄÉÀÏ & ÄÚµå
Dorian #4 ½ºÄÉÀÏ & ÄÚµå
Mixolydian b9, b13th ½ºÄÉÀÏ & ÄÚµå
Lydian #2 ½ºÄÉÀÏ & ÄÚµå
Tetrachord(4À½°è)
TetrachordÀÇ Á¾·ù
Pentatonic(5À½°è)
Major Pentatonic ½ºÄÉÀÏ
Minor Pentatonic ½ºÄÉÀÏ
Pentatonic ½ºÄÉÀÏÀÇ Modes
Pentatonic ¸ðµåÀÇ ºÐ¼®
Pentatonic ½ºÄÉÀÏÀ» ÀÌ¿ëÇÑ Improvisations
Improvisation¿¡ »ç¿ëÇÏ´Â Pentatonic Scales
Pentatonic Scales
Hexachord(6À½°è)
µµµÏ °í¾çÀÌ

25: ½ÇÀü ÀÀ¿ë¹æ¹ý
Upper Structure Triad
Upper Structure Triad¸¦ ÀÌ¿ëÇÑ Arpeggio
Re-harmonization
� Diatonic Äڵ带 ±Ø´ëÈ­ ½ÃÅ°´Â Re-Harmonization
� 2ndary Dom7th Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� Modal Interchange Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� SubV7 Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� II7-V7 Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
� Compound Äڵ带 ÀÌ¿ëÇÏ´Â Re-Harmonization
Lay out

26: Æí°îÀÇ ±âº» ¿ä¼Ò
Background , Ostinato, Pedal Point, Pads, Fill in, Obbliqnto ¶Ç´Â Filler
The Surfing (CD No 70)
űǵµ Intro (CD No 71)

27: Chord Ear Training 1-2

28: Scales

29: Chord Types

Low Interval Limit
¾Ç±â À½¿ª
°üÇö¾Ç ¿ë¾î


 

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