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- Contents -
INTRODUCTION - WEST AFRICAN DRUMMING: TRADITION AND TRANSFORMATION
CHAPTER 1. SIKYI RHYTHMS OF THE ASHANTI PEOPLE OF GHANA
SIKYI DRUMSET ADAPTATIONS
SIKYI WITH BACKBEATS
FRIKYIWA ON CYMBAL BELL
SIKYI HIGHLIFE STYLES
COMPARINC SIKYI AGYEGYEWA AND FRIKYIWA RHYTHMS TO AMERICAN JAZZ
SIKYI RHYTHMS WITH BRUSHES
SIKYI BRUSH/STICK COMBINATIONS
SIKYI RHYTHMS WITH HANDS
SUMMARY
CHAPTER 2. ADOWA RHYTHMS OF THE ASHANTI PEOPLE OF GHANA
ADOWA DRUMSET ADAPTATIONS
IDEAS: BASS DRUM/HI-HAT/RIDE CYMBAL VARIATIONS
ADOWA HIGHLIFE STYLES: SOLOMON ASSAN, MARTIN KWAAKYE OBENG, ROYAL HARTIGAN
MULTIPLE RHYTHMIC PERSPECTIVES: ASAADUA TAMALIN RHYTHMS
MULTIPLE RHYTHMIC PERSPECTIVES: ADOWA AND KETE ADABAN
MULTIPLE RHYTHMIC PERSPECTIVES: SHIFTED ADOWA BELL PATTERNS
ADENKUM RHYTHMS
ADOWA BRUSH/STICK COMBINATIONS
ADOWA RHYTHMS WITH HANDS
SUMMARY
CHAPTER 3. GAHU RHYTHMS OF THE EWE PEOPLE OF GHANA
GAHU DRUMSET ADAPTATIONS
IDEAS: TIMELINES
TIMELINES IN A DUPLE FEEL
TIMELINES IN A TRIPLET FEEL "SWINGING THE CLAVE"
TIMELINES IN A TRIPLET FEEL WITH A DOUBLE TIME 12/8 CYMBAL PATTERN
TIMELINES WITH A FUNK FEEL
GAHU HIGHLIFE STYLES
WEST AFRICAN INFLUENCE IN NEW ORLEANS
GAHU RHYTHMS WITH BRUSHES
GAHU RHYTHMS WITH HANDS
SUMMARY
CHAPTER 4. AKOM RHYTHMS OF THE ASHANTI PEOPLE OF GHANA
AKOM FIRST STYLE
AKOM SECOND STYLE
AKOM DRUMSET ADAPTATIONS
AKOM SECOND STYLE - DRUMSET ADAPTATIONS
AKOM SECOND STYLE - TWO-BEAT FEEL
IDEAS: SHIFTED BELL PATTERNS
AKOM SHIFTED BELL PATTERN - SECOND STYLE
AKOM MEETS HIP HOP (GAMELAN FUNK)
AKOM - HIGHLIFE JAZZ
AKOM SECOND STYLE TIMELINE AND JAZZ 3/4 CYMBAL FEEL
AKOM BRUSH/STICK COMBINATIONS
AKOM RHYTHMS WITH HANDS
SUMMARY
GLOSSARY
SOURCES
DISCOCRAPHY
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