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- Contents -
LESSON #1: Basic Comping Rhythm
LESSON #2: Turnaround Improv
LESSON #3: The Major II-V-I
LESSON #4: The Minor II-V-I
LESSON #5: Compin' the Blues
LESSON #6: Chord-Tonin' the Blues
LESSON #7: Tritone Substitution
LESSON #8: Tritone Turnarounds
LESSON #9: Minor Blues
LESSON #10: Aim for the Change
LESSON #11: Constant Phrase Shape Exercise
LESSON #12: Changing Rhythmic Shape Exercise
LESSON #13: Call and Response
LESSON #14: Dominant Decisions
LESSON #15: The Altered Angle
LESSON #16: Altered Options
LESSON #17: Blues Licks - Jazz Style
LESSON #18: 3/4 Comping
LESSON #19: 3/4 Soloing
LESSON #20: Technical Tips for the Same-Fret Syndrome
LESSON #21: Alternate Picking by Rhythm
LESSON #22: Straight-4, Straight Ahead
LESSON #23: Two-Note Chordal Shells
LESSON #24: Jumping Tracks
LESSON #25: "The Lick"
LESSON #26: The Extension Dimension
LESSON #27: Major Seven #11
LESSON #28: Bossa Rhythm
LESSON #29: The Octaves Texture
LESSON #30: Minor Shape Madness
LESSON #31: The Chromatic Connection
LESSON #32: Suspended Disbelief (Fun with Sus Chords)
LESSON #33: High Suspense (Soloing on Sus Chords)
LESSON #34: Sequential Essentials
LESSON #35: Jazz Hemiola
LESSON #36: A Sneaky Sub-Chord Cycle
LESSON #37: Harmonizing One Tone
LESSON #38: Double-Stop Delight
LESSON #39: A Transposition Disposition
LESSON #40: Slash Chords
LESSON #41: Great Leaps, with Baby Strides
LESSON #42: The Half-Step Houdini
LESSON #43: Quintessential Quartals
LESSON #44: Motion Within Chords
LESSON #45: The Trouble with Scales
LESSON #46: Comping Texture
LESSON #47: On Simplicity (Within Complexity)
LESSON #48: Transcription and Analysis
LESSON #49: On Timing and Feel
LESSON #50: Ballad Playing
LESSON #51: Concept 101
LESSON #52: Creative Shifting
LESSON #53: One String Thing
LESSON #54: Two String Thing
LESSON #55: Working with Arpeggios
LESSON #56: Mini Barre Mini Sweep
LESSON #57: Start Low, End High
LESSON #58: Start High, End Low
LESSON #59: Scale Positions and Broad Sequences
LESSON #60: Modes in Jazz
LESSON #61: Grouping Chords for Soloing
LESSON #62: Pentatonics in Diatonics
LESSON #63: Chord Shape Lines
LESSON #64: Repeating Riff, New Position
LESSON #65: Soloing Major to Minor
LESSON #66: Pentatonic to Mixolydian
LESSON #67: Playing Changes
LESSON #68: Resolutions to the 5th
LESSON #69: Change Down, Go Up
LESSON #70: Many Scales over One Chord
LESSON #71: Dominant b5 Polyphonic Harmony
LESSON #72: Train Wreck Dissonance
LESSON #73: Chromatic Ascending Riffs
LESSON #74: Descending Chromatic Riffs
LESSON #75: Diminished Fluency
LESSON #76: Diminished Chord? Harmonic Minor
LESSON #77: Augmented Chord? Harmonic Minor
LESSON #78: Dominant Chord? Melodic Minor
LESSON #79: Melodic Minor = Super Locrian
LESSON #80: Half Step Neighbors
LESSON #81: Mixing Pentatonic Scales
LESSON #82: Geometric Designs
LESSON #83: String Skipping
LESSON #84: Interval Jumping with Riffs
LESSON #85: Playing Down Two Whole Steps
LESSON #86: Playing Off the Five
LESSON #87: Whole Tone Totality
LESSON #88: Enclosure Time
LESSON #89: Free Form Targeting
LESSON #90: Two Essential Chord Forms
LESSON #91: Chord System
LESSON #92: Chord Family Training
LESSON #93: Building Altered Chords
LESSON #94: Walking One Chord Bassline
LESSON #95: Chord-Change Key
LESSON #96: Adding Melody to Chords
LESSON #97: Fundamental Chord Knowledge
LESSON #98: Playing a Standard Freely
LESSON #99: Doing Your Own Version
LESSON #100: Extended Melodies
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