ÇǾƳ븦 Ãæ½ÇÇÏ°íµµ Àç¹ÌÀÖ°Ô ¿¬½ÀÇÒ ¼ö ÀÖ°Ô ±¸¼ºµÇ¾î ÀÖ´Â ·¹½¼ºÏÀÔ´Ï´Ù.
¿Â¶óÀÎÀ¸·Î Á¦°øµÇ´Â À½¿ø¿¡´Â ½ºÄÉÀÏ, ¾Æ¸£ÆäÁö¿À, Äڵ带 ¸ðµç Å°¿¡¼ ¿¬½ÀÇÒ ¼ö ÀÖ´Â ¸®µë ¼½¼Ç ¹ÝÁÖ°¡ ½Ç·ÁÀÖ½À´Ï´Ù.
Áö·çÇÏ°í ¾î·Á¿ö º¸¿©¼ ±âÇÇÇÏ´ø Å×Å©´Ð ¿¬½ÀÀ» Àç¹ÌÀÖ°Ô Çسª°¥ ¼ö ÀÖÀ¸¸ç ¸ðµç ¿¹Á¦¿¡´Â ÇΰŸµ ¹øÈ£°¡ ÀÖ¾î ¿Ã¹Ù¸¥ ¿¬½À¿¡ µµ¿òÀÌ µË´Ï´Ù.
´Ù¾çÇÑ ÆË°ú ÀçÁî ½ºÅ¸ÀÏ¿¡¼ ¸Å¿ì À¯¿ëÇÏ°Ô »ç¿ëÇÒ ¼ö ÀÖ´Â ´Ù¾çÇÑ º¸À̰̽ú ¸®µëÀÌ ¼Ò°³µÇ¾î ÀÖ½À´Ï´Ù.
- Contents -
1. How to practice
2. Scales and modes
Major scales
Modal scales
Natural minor scales
Harmonic minor scales
Melodic minor scales
Pentatonic scales
Minor pentatonic scales
Blues scales
3. Triads and arpeggios
Major triads
Minor triads
Mixing major and minor triads
Major triad voice leading
Triad-over-root chords
4. Four-part chords and arpeggios
Major 7th chords
Minor 7th chords
Major 7th chord voice leading
Minor 7th chord voice leading
Four-part-over-root chords
5. Advanced voicings and exercises
Seven-three chord voicings
Double 4th chord voicings
Five-note voicings using 4th intervals
|