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- Contents -
LESSON #1: Adventures in Rhythm - Carrying Over the Bar
LESSON #2: Adventures in Rhythm - Triplets
LESSON #3: Altered Dominant Scale
LESSON #4: Arpeggiating Through the Changes
LESSON #5: Bill Evans Voicings
LESSON #6: Brazilian Comping - Bossa Nova
LESSON #7: Brazilian Comping - Samba
LESSON #8: Building Your Chops
LESSON #9: Chromaticism I
LESSON #10: Chromaticism II
LESSON #11: Cuban Montunos - Cha-Cha Patterns
LESSON #12: Cuban Montunos - Mambo Patterns
LESSON #13: Diminished Scales
LESSON #14: Dominant Cycle Progression
LESSON #15: Exotic Scales
LESSON #16: Funky Comping
LESSON #17: Gospel Chords
LESSON #18: Latin Improv Ideas I
LESSON #19: Latin Improv Ideas II
LESSON #20: Latin Jazz - Afro-Cuban 6/8
LESSON #21: Latin Stride Patterns
LESSON #22: Left-Hand Stride Technique
LESSON #23: Major Blues Scale
LESSON #24: Melodic Contour
LESSON #25: Melodic Sequence
LESSON #26: Minor ii-V-l Melodic Ideas
LESSON #27: Motives and Their Development
LESSON #28: Odd Meter
LESSON #29: Orchestrating Two-Handed Voicings
LESSON #30: Phrygian Solo Ideas
LESSON #31: Practicing the Modes in Every Key
LESSON #32: Reharmonization
LESSON #33: Rhapsodic Adventures - Long Melodic Runs
LESSON #34: Secondary Leading Tones
LESSON #35: Taking It Out - Chromatic Sequence
LESSON #36: Taking It Out - Superimposed Harmonies
LESSON #37: The #11 Chord
LESSON #38: The Hierarchy of Notes and Chord Tones
LESSON #39: 16th-Note Lines
LESSON #40: The Whole-Tone Scale
LESSON #41: Interpreting a Lead Sheet
LESSON #42: ii-V-l Voicings: Major/Close Position
LESSON #43: ii-V-l Voicings: Minor/Close Position
LESSON #44: Drop-2 Voicings
LESSON #45: Altered Chords
LESSON #46: Tritone Substitution
LESSON #47: Linear Cadence
LESSON #48: Diminished 7th Chords
LESSON #49: Utilizing Chord Tones in an Improvisation
LESSON #50: Non-harmonics-NeighborTones
LESSON #51: Non-harmonics - Changing Tones
LESSON #52: Non-harmonics - Passing Tones
LESSON #53: Melodic Minor Scales - Four Applications
LESSON #54: Scale-Tone Triads & 7th Chords
LESSON #55: Melodic Sets
LESSON #56: Rhythm Streams
LESSON #57: Motivic Etudes
LESSON #58: Scale-Tone Voicing
LESSON #59: Simplifying Extensions with Polychords
LESSON #60: Drop-2 Tonicizing Diminished 7th Chords
LESSON #61: Pentatonic Scales
LESSON #62: Introduction to the Blues
LESSON #63: Blues Licks
LESSON #64: Bebop Blues
LESSON #65: Walking Bass Lines
LESSON #66: Locked Hands
LESSON #67: Power Voicings
LESSON #68: Extended Albert!
LESSON #69: Pedal Points
LESSON #70: Tonicization
LESSON #71: Turnaround Progressions
LESSON #72: Chord of Omission
LESSON #73: Three-Note Voicings
LESSON #74: Extended Harmony
LESSON #75: Left-Hand Comping
LESSON #76: Using 3rds and 7ths in the Left Hand
LESSON #77: Quartal Harmony
LESSON #78: Five-Part Ballad Voicings
LESSON #79: Boogie-Woogie
LESSON #80: Rootless Voicings
LESSON #81: Using Diminished Scales
LESSON #82: Swingin' It
LESSON #83: Introduction to Rhythm Changes
LESSON #84: Introductions
LESSON #85: Endings
LESSON #86: Creating an Arrangement
LESSON #87: Memorizing Songs
LESSON #88: Using Upper Structures in a Solo
LESSON #89: Inner-Outer Concept
LESSON #90: Comping Concepts
LESSON #91: Call and Response
LESSON #92: Jumping Tracks
LESSON #93: The Extension Dimension
LESSON #94: Sequential Essentials
LESSON #95: The Trouble with Scales
LESSON #96: Modes in Jazz
LESSON #97: Pentatonic to Mixolydian
LESSON #98: Many Scales Over One Chord
LESSON #99: Dominant Chord? Melodic Minor
LESSON #100: Enclosure Time
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