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- Contents -
INTRODUCTION
From Bobby Owsinski
From Dennis Moody
Meet the Drummers
Chapter One. THE DRUM KIT
Engineer's Drum Kit Checklist
What Makes a Kit Sound Great?
Drum Construction
A Look at the Snare
Snare Construction
The Snare Unit
Tuning the Drums
Step 1: Secure the Drums
Step 2: Replace the Heads
Step 3: Head Configuration
Step 4: Mute the Rattles
Step 5: Tuning the Snare Drum
Step 6: Tune the Drums
Tuning Tips from the Drum Doctor
Big Drums vs. Small Drums
How Long Does It Take to Tune a Drum Kits?
Prepping the Drums tor New Heads
New Heads
The Tuning Technique
Should the Drums Be Tuned to the Key of the Song?
Tuning the Snare Drum
Snare Drum Tuning Tips
Tuning the Kick Drum
Tuning the Toms
Cymbals
Chapter Two. THE RECORDING ENVIRONMENT
Room Resonant Frequencies
Inexpensive Yet Effective Room Treatment
Soundproofing
What Won't Work
Improving the Isolation
Acoustic Treatment
Treating the Floor
Don't Forget the Air Conditioning
The Curse of Low Ceilings
Optimizing Your Room Without Construction
Placing the Kit in the Room
Chapter Three. THE DRUMMER'S HEADPHONE MIX
Headphone Checklist
What's in the Mix?
Using a Click Track
Preventing Click Bleed
A Click Alternative
The Headphone System
Personal Headphone Mixes
Chapter Four. PHASE CANCELLATION-THE DRUM SOUND DESTROYER
Acoustic Phase Cancellation
Electronic Phase Cancellation
Checking Phase the Easy Way
Checking Phase the Slightly More Ditlicult Way
Times When You Might Want the Phase Reversed
Chapter Five. MIKING THE BASS DRUM
Bass Drum Checklist
Choosing the Mic
Boss Drum Head Configuration
Front Head Removed
Front Head On
Bass Drum Mic Positioning
Without the Front Head
With the Front Head
Increasing the Isolation
Increasing the Low End
Bass Drum Sound Check
Adding Compression
The Sub-kick
Making a Sub-kick Mic
Chapter Six. MIKING THE SNARE DRUM
Snare Drum Equipment Checklist
Snare Mic Position
Snare Mic Sound Check
Snare Drum Bottom Head Miking
The Bottom Mic in the Mix
Adding Compression to the Snare Sound
Chapter Seven. MIKING THE HI-HAT
Hi-Hat Equipment Checklist
Hi-Hat Mic Positioning
Hi-Hat Mic Sound Check
Chapter Eight. MIKING THE TOMS
Tom Equipment Checklist
Rock Tom Mic Positioning
Floor Tom Mic Positioning
Tom Sound Check
Chapter Nine. OVERHEAD MICS
Overhead Mic Equipment Checklist
Overhead or Cymbal Mic?
Miking the Cymbals
Overhead Mic Position #1
Overhead Mic Position #2
Overhead Sound Check
Chapter Ten. ROOM MICS
Room Mic Checklist
Room Mic Position #1
Room Mic Position #1 Alternate
Room Mic Position #2
Room Mic Position #3
Room Mic Sound Check
Chapter Fleven. ALTERNATIVE MIKING TECHNIQUES
Single Mic Technique
Two Mic Technique
Three Mic Technique
Three Mic Technique Option Two
Three Mic Technique Option Three
Four Mic Technique
Four Mic Technique Option Two
Chapter Twelve. GETTING THF DRUM MIX TOGETHER
Have a Listen
Balancing the Drum Kit
Drum Kit Balance Technique One
Drum Kit Balance Technique Two
Drum Kit Balance Technique Three
Setting the Levels
Checking the Drum Phase
Drum Mix Panning
Equalizing the Drums
Adding Artificial Ambience to the Drum Kit
Assigning the Drums to a Group or Subgroup
Assigning the Drum Channels to a Subgroup
Compressing the Drums
Compressing the Snare
Compressing the Room Mics
Gating the Drums
Using a Gate on the Snare Drum
Using a Gate on the Toms
Chapter Thirteen. MIKING PERCUSSION
The Two Percussion Groups
Recording Drum Percussion
Recording Hand Held Percussion
Recording Specific Percussion Instruments
Conga
Cowbell
Djembe
Gong
Handclaps
Shaker
Tombourine
Timbale
Triangle
EQing Percussion
Chapter Fourteen. FINAL DRUM SOUND CHECKLIST
APPENDIX A. INTERVIEWS
Bernie Dresel
Johnny "Vatos" Hernandez
Ricky Lawson
Brion MacLeod
Kellii Scott
Dave Weckl
APPENDIX B. GLOSSARY
INDEX
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