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  All Products > Books > Guitar Lessons >
 

A Modern Method For Guitar - Volume 2 (Berklee)
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ÃâÆÇ»çBerklee Press Publications
ÀúÀÚWilliam Leavitt
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- Contents -

Section One
Four Basic Major-Scale Fingering Patterns
C Major Scale - Ascending (Five Positions)
C Major Scale - Descending (Five Positions)
   "Getting Up There" (Duet)
   "Chord Etude N0. 6"
   "Melodic Rhythm Study No. 2"
   (¢ and 2/4)
Triads (Three-Note Chords)
F Major Scale - Ascending (Five Positions)
F Major Scale - Descending (Five Positions)
   "Another Waltz for Two" (duet)
Chord Forms
Speed Study
Triads (F Chords)
Rhythm Guitar - The Right Hand (4/4 and 2 beat)
   "Chord Etude No. 7"
G Major Scale - Ascending (Five Positions)
G Major Scale - Descending (Five Positions)
   "Sea-See-Si" (duet)
Chord Forms
Triads (G Chords)
Finger-Stretching Exercises
D Major Scale - Ascending (Five Positions)
D Major Scale - Descending (Five Positions)
   "Melodic Rhythm Study No. 3" (duet)
Intervals
Triads (D Chords)
A Major Scale - Ascending (Five Positions)
A Major Scale - Descending (Five Positions)
   "Chord Etude No. 8"
Rhythm Guitar - The Right Hand (Rock-Style Ballad)
Chord Forms
   "Tranquility" (duet)
Triads (A Chords)
Bb Major Scale - Ascending (Five Position)
Bb Major Scale - Descending (Five Position)
   "Waltz in Bb" (duet)
   "Melodic Rhythm Study No. 4"(6/8)
Finger-Stretching Exercises
Triads (Bb Chords)
Pentatonic Scales
Tremolo Study
Eb Major Scale - Ascending (Five Positions)
Eb Major Scale - Descending (Five Positions)
Chord Forms
Major Scale Review (Positions II,III,V)
Triads (Eb Chords)
Theory: Diatonic Triads in Major Keys (Explanation)
Diatonic Triads - Arpeggios and Scales
   Key of G Major
   Key of F Major
   Key of Bb Major
   Key of Eb Major
   "5th Position Study" (duet)
Major Triad Exercise
Minor Triad Exercise

Section Two
One-Octave Arpeggios - G Triads
   Glissando
Real Melodic (or Jazz) Minor Scale
C Real Melodic Minor (Five Positions)
Rhythm Guitar - The Right Hand (Shuffle Rhythm)
Speed Study
Chord Forms
   "Melodic Rhythm Study No. 5" (duet)
One-Octave Arpeggios - D and C Triads
F Real Melodic Minor (Five Positions)
   "5th Position Study No. 2" (duet)
One-Octave Arpeggios - A and F Triads
Chord Forms
   Slur
   Trill
Theory: Diatonic 7th Chords (Major Keys)
Arpeggios - G Diatonic Sevenths
Arpeggios - C Diatonic Sevenths
G Real Melodic Minor (Five Positions)
Chord Forms
Two-Octave Arpeggios - C Major Triad from the Root
   "Chord Etude No. 9"
   "The Wanderer" (duet)
Rhythm Guitar - The Right Hand (Waltz)
Arpeggios - F Diatonic Sevenths
Theory: Chord-Scale Relationships with Diatonic Structures
D Real Melodic Minor (Five Positions)
Chord Forms - 3rd in the Bass
   "Chord Etude No. 10"
Two-Octave Arpeggios
   G Major Triad from the 3rd
   F Major Triad from the 5th
Rhythm Guitar - The Right Hand (Jazz Waltz)
   Inverted Mordent and Mordent (Explanation)
Arpeggios: Bb Diatonic Sevenths
A Real Melodic Minor (Five Positions)
Chord Forms
Two-Octave Arpeggios - C Minor Triad from the Root
   Appoggiatura and Turn or Grupeto
   "Melodic Rhythm Study No. 6" (duet)
Rhythm Guitar - The Right Hand (Cha Cha and Beguine)
Arpeggios - Eb Diatonic Sevenths
Theory: Chord Scale Relationships (Nondiatonic Minor 7 and Major 7)
   "7th Position Study" (duet)
   "Solo in G"
Bb Real Melodic Minor (Five Positions)
Chord Forms - 7th in the Bass
:"Chord Etude No. 11"
Two-Octave Arpeggios
   G Minor Triads from the 3rd
   F Minor Triads from the 5th
Key Signatures (Explanation)
Theory: Chord-to-Chord Motion
Chromatic Scale
Eb Real Melodic Minor (Five Positions)
Chord Forms
   "Chord Etude No. 12"
Speed Study
Two-Octave Arpeggios
   C Diminished Triad from the Root
   G Diminished Triad from the 3rd
   F Diminished Triad from the 5th
   "Melodic Rhythm Study No. 12" (duet)
Whole Tone Scales
Rhythm Guitar - The Right Hand (Bossa Nova)
Two-Octave Arpeggios - Bb, F#, and D Augmented Triads
Theory: Chord Scale Relationships - Nondiatonic Minor 6th and (Unaltered)
   Dominant 7th Chords
   "Solo in D"
Index


 

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