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- Contents -
Preface
Technique 1: Preparing for Greatness
Technique 2: The Song
Technique 3: Preproduction
Technique 4: The Environment
Technique 5: The Importance of Studio Acoustics
Technique 6: Control Room Monitors
Technique 7: Choosing an Interface
Technique 8: Managing the DAW
Technique 9: Choosing the Right Microphone
Technique 10: Microphone Polar Patterns
Technique 11: Stereo Mic Techniques
Technique 12: Miking the Kick Drum
Technique 13: Miking the Snare Drum
Technique 14: Miking Toms
Technique 15: Overheads and Hats
Technique 16: Drum Room Mics
Technique 17: Equalizing Drums
Technique 18: One Mic on Drums
Technique 19: Two Mics on Drums
Technique 20: Three Mics on Drums
Technique 21: Four Mics on Drums
Technique 22: Bass Guitar Dl
Technique 23: Miking the Bass Cabinet
Technique 24: Acoustic Guitar
Technique 25: Acoustic Guitar DI
Technique 26: Miking Acoustic Guitar
Technique 27: Stereo Miking Acoustic Guitar
Technique 28: Miking the Electric Guitar Cabinet
Technique 29: Multiple Mics on Electric Guitar
Technique 30: Electric Guitar Effects
Technique 31: Electric Guitar Through a DI
Technique 32: Stereo Electric Guitar
Technique 33: Grand Piano
Technique 34: Electric Piano
Technique 35: Organ
Technique 36: Synthesizers
Technique 37: Vocal Performance
Technique 38: Vocal Mic Choice
Technique 39: Vocal Mic Technique
Technique 40: Backing Vocals
Technique 41: Vocal Groups and Choirs
Technique 42: Track a Band at Home
Technique 43: Tracking in a Commercial Studio
Technique 44: Commercial and Home Studio
Technique 45: Compression Parameters
Technique 46: Using the Compressor
Technique 47: Compressing Vocals and Instruments
Technique 48: Gates and Expanders
Technique 49: Delays
Technique 50: Reverberation
Glossary
About the Author
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