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The Complete Timpani Method (Friese-Lepak Timpani Method)
ÄÄÇø®Æ® ÆÀÆÄ´Ï ¸Þ½îµå
Basic Theory * Technique * Intonation * Timpani Repertoire from the Classics
By Alfred Friese and Alexander Lepak

ÃâÆÇ»çAlfred
ÀúÀÚAlfred Friese, Alexander Lepak
¾ÆÀÌÅÛ #00-HAB00011
ISBN9780769234724
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¹ÙÀ̿ø°À¸·Î À½¾ÇÀ» ½ÃÀÛÇؼ­ ¶óÀÌÇÁÄ¡È÷ °Ô¹ÝÆ®ÇϿ콺 ¿ÀÄɽºÆ®¶óÀÇ ¹ÙÀ̿ø®´Ï½ºÆ® ½ÃÀý ÆÀÆÄ´Ï¿¡ °ü½ÉÀÌ »ý°Ü ¹è¿ì±â ½ÃÀÛÇØ ³ªÁß¿¡´Â ÆÀÆĴϽºÆ®·Î¼­ ¾ÆÈ© ¸íÀÇ È帵é Áß ±¸½ºÅ¸ÇÁ ¸»·¯¿¡°Ô ¼±ÅÃµÇ¾î ´º¿å ÇÊÇϸð´ÐÀÇ ¼Ö·Î ÆÀÆĴϽºÆ®¸¦ Áö³»°í ¼¼°è ÃÖÃÊÀÇ ÆÀÆÄ´Ï ½ºÄðÀ» ¼³¸³ÇÑ ÆÀÆÄ´ÏÀÇ ¼±±¸ÀÚ ¾ËÇÁ·¹µå ÇÁ¸®Áî(Alfred P. Friese 1876-1971)¿Í 50³â°£ °íÇâÀÇ ÇÏÆ®Æ÷µå ½ÉÆ÷´Ï¿¡¼­ ÆÀÆĴϸ¦ ¿¬ÁÖÇϸç 1940³â´ë ÈÄ¹Ý ¹Ì±¹ ´ëÇÐ °ÅÀÇ ÃÖÃÊÀÇ ÆÛÄ¿¼Ç Çаú¿Í ÆÛÄ¿¼Ç ¾Ó»óºíÀ» ¸¸µç ÆÀÆĴϽºÆ®ÀÌÀÚ ±³À°ÀÚ ¾Ë·º»ê´õ ¸£ÆÑ(Alexander Lepak 1920-2009)ÀÌ ÇÔ²² ¾´ ÆÀÆÄ´Ï Á¾ÇÕ ±³º»ÀÔ´Ï´Ù.
1954³â ÃâÆǵǾî Friese-Lepak Timpani Method·Îµµ Àß ¾Ë·ÁÁø ÆÀÆÄ´Ï ·¹½¼ÀÇ °íÀüÀÌÀÚ º£½ºÆ®¼¿·¯·Î ÃÑ 4°³ÀÇ ÆÄÆ®¿¡ ±âº» ÀÌ·Ð, Å×Å©´Ð ¿¬½À, ÀÎÅä³×À̼Ç, Ŭ·¡½Ä ½ºÅÄ´õµå ·¹ÆÄÅ丮 °îµéÀÇ ¾Çº¸°¡ ¼ö·ÏµÇ¾î ÀÖ½À´Ï´Ù.


- Contents -

PART I - Basic Theory
Clefs
Measure (Bar)
Accidentals
Key Signature
Enharmonic Equivaleants
Intervals
Scales
Time Signatures
Table of Note Values
Dotted Notes and Rests
Tied Notes
Triplets
Duplets
Other Unusual Groupings
Signs and Abbreviations
Repeat Signs
Note Abbreviations
Solfege Systems

PART II - Technique and Facts
Care of Timpani Heads
How to Keep the ¡°Collar¡± on Timpani Heads
What to Do When ¡°Collar¡± Has Been Lost
Sticks
Range of Timpani
Extended Range
Tuning Designation
Foreign Pitch Designations
Holding the Sticks
Position of Performer
Striking the Head
Muffling
Muffling Exercises
Staccato Notes
Staccato Exercises
Interpretation
Sticking
Excerpts Employing Single Sticking
Roll
Exercise for the Development of the Roll
Roll Notation
fp Roll - sfz Roll
Crescendo and Decrescendo Rolls
Rolling Smoothly From One Drum to Another
Roll Exercises
Cross Sticking
Cross Sticking Exercises
Excerpts Employing Cross Sticking
Grace Note Embellishments
Grace Note Exercises

PART III - Intonation
Tuning
Tuning of Intervals - Ascending
Tuning of Intervals - Descending
Scale Exercises
Glissando
Glissando in Combination With Roll
Excerpts Employing the Glissando
Glissando Exercises
Set Pitch or Open Tone
Excerpt Employing Set Pitch
Tuning Exercises
Exercises for Three Timpani
Exercises for Four Timpani

PART IV - Repertoire
Beethoven - Symphony No. 9
Brahms - Symphony No. 1
Wagner - Siegfried¡¯s Funeral March
Tschaikowsky - Symphony No. 4
R. Strauss - Death and Transfiguration
R. Strauss - Burlesque in D Moll
D¡¯Indy-Jour Dete Ala Montagne
Shostakovich - Symphony No. 1
Rachmaninoff - Isle Of The Dead
Rachmaninoff - Symphony in E Minor
Barber-Essay For Orchestra
Hanson - Nordis Symphony Ill
Thompson-Symphony No. 2
Walton-Symphony No. 1
Wm. Schuman - Undertow
Wm. Schuman - Circus Overture
Hanson - Symphony No. 3
Noak - Rondo for Timpani and Piano
Barber - Symphony In One Movement
Franchetti - The Princess
Franchetti - The Game Of Cards


 

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