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Acknowledgements
Foreword to Students
About This Edition
About the Composers
Johann Friedrich Burgmüller
Carl Czerny
Charles-Louis Hanon
Practicing Hanon to Promote Technical and Musical Mastery
Musical Practice Alternatives for Hanon Exercises
UNIT ONE
•Shaping and projecting an expressive.melody
•Subduing simple accompaniments of solid, broken, and repeated chords
1. Czerny Op. 599, No. 12
2. Czerny Op. 599, No. 19
3. Burgmüller Sincerity, Op. 100, No. 1
4. Czerny Op. 599, No. 20
5. Czerny Op. 599, No. 23
6. Burgmüller Pastorale, Op. 100, No. 3
7. Hanon No. 1
8. Hanon No. 2
UNIT TWO
•Clarity in RH and LH melodies with 16th notes and slurs
•Voicing more complex accompaniments with different articulation
1. Czerny Op. 599, No. 13
2. Czerny Op. 599, No. 16
3. Burgmüller Arabesque, Op. 100, No. 2
4. Czerny Op. 599, No. 18
5. Burgmüller Innocence, Op. 100, No. 5
6. Hanon No. 5
7. Hanon No. 6
8. Burgmüller Ballade, Op. 100, No. 15
UNIT THREE
•Voicing triplet and double-third melodies
•Shaping and voicing single-note and broken-chord accompaniments
1. Czerny Op. 599, No. 15
2. Burgmüller The Clear Stream, Op. 100, No. 7
3. Burgmüller Angels' Voices, Op. 100, No. 21
4. Czerny Op. 599, No. 17
5. Czerny Op. 599, No. 21
6. Burgmüller The Little Party, Op. 100, No. 4
7. Hanon No. 8
8. Hanon No. 12
UNIT FOUR
•Clarity of RH and LH melodies in 16th notes, double thirds, sixths, and chords
•Shaping and voicing accompaniments in varied patterns and articulations
1. Czerny Op. 599, No. 33
2. Czerny Op. 599, No. 41
3. Burgmüller Sorrow, Op. 100, No. 16
4. Czerny Op. 599, No. 42
5. Czerny Op. 599, No. 50
6. Burgmüller Ave Maria, Op. 100, No. 19
7. Hanon No. 16
8. Burgmüller Tarantelle, Op. 100, No. 20
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