26¼¼ÀÇ ÀþÀº ³ªÀÌ¿¡ ¿äÀýÇßÀ½¿¡µµ ºÒ±¸ÇÏ°í ¹Ù·ÎÅ© ½Ã´ëÀÇ ÀÌÅ»¸®¾Æ¸¦ ´ëÇ¥ÇÏ´Â ÀÛ°î°¡, ¹ÙÀ̿ø®´Ï½ºÆ®, ¿À¸£°¡´Ï½ºÆ®·Î Æò°¡¹Þ´Â Á¶¹Ý´Ï ¹ÙƼ½ºÅ¸ Æ丣°ñ·¹½Ã(Giovanni Battista Pergolesi 1710-1736)°¡ ÀÛ°îÇÑ °ÍÀ¸·Î ¾Ë·ÁÁ® ÀÖÀ¸³ª »ç½ÇÀº Æ丣°ñ·¹½ÃÀÇ ½º½ÂÀ̾ú´ø ÇÁ¶õü½ºÄÚ µÎ¶õÅ× Francesco Durante°¡ ÀÛ°îÇ߰ųª µÑÀÌ ÇÔ²² ÀÛ°îÇß´Ù´Â ÁÖÀåµµ ÀÖ´Â ¸¶´ÏÇÇÄ«Æ®(¿¹¼ö À×Å ¼Ò½ÄÀ» õ»ç¿¡°Ô ÀüÇØ µéÀº ¸¶¸®¾Æ°¡ Çϳª´Ô²² °¨»çÇÏ¸ç ºÎ¸¥ Âù°¡)ÀÇ ¼º¾ÇºÎ¿Í ÇÇ¾Æ³ë ¸®´ö¼Ç ¾Çº¸ÀÔ´Ï´Ù.
The authorship of this work is sometimes attributed to (or shared with) Pergolesi's teacher, Francesco Durante. There are editorial notes included by Clayton Westermann. The Latin text also has an English translation directly underneath, in italics, and the voices are written out on separate staves over a piano reduction of the orchestral part. Includes: Magnificat * Et Misericordia * Deposuit * Suscepit Israel * Sicut Locutus Est * Sicut Erat in Principio.
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