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1960³â 2¿ù ¼¿ï Ãâ»ý. ÀÛ°î, Æí°î ¹× ¿¬ÁÖÀÚ. ¹Ì±¹ Berklee College of Music Á¹¾÷(Çлç, 1986), ¹Ì±¹ New England Conservatory of Music ´ëÇпø(¼®»ç, 1992)À» ¼ö¼®À¸·Î Á¹¾÷Çß´Ù. Berklee College of MusicÀ¸·ÎºÎÅÍ °ø·Î»ó ¼ö»ó. MBC TVÀÇ <¼ö¿ä¿¹¼ú¹«´ë> ÁøÇàÀÚ¸¦ ¿ªÀÓÇßÀ¸¸ç, ¿©¼¸ ÀåÀÇ Á¤±Ô ¾Ù¹üÀ» ¹ßÇ¥Çß´Ù. Çö µ¿´ö¿©ÀÚ´ëÇб³ ½Ç¿ëÀ½¾Ç°ú ±³¼ö·Î ÀçÁ÷ Áß.
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¿ë¾î Çؼ³ Glossary
Chapter 01 ÄÚµå Chords
ÄÚµå Ư¼º(Chord Quality)
º£ÀÌÁ÷ ÄÚµå º¸À̽Ì(Basic Chord Voicings)
µå·Ó Åõ º¸À̽Ì(Drop 2 Voicings)
Ŭ·¯½ºÅÍ º¸À̽Ì(Cluster Voicings)
ÄõÅ»(4µµ) º¸À̽Ì(Quartal(4th) Voicings)
Å©¸®¿¡ÀÌÆà º¸À̽Ì(Creating Voicings)
Sample Harmony : Moon River
Exercise ¿¬½À¹®Á¦
Chapter 02 ´ÙÀ̾îÅä´Ð ±â´É Diatonic Function
Çϸð´ÏÀÇ ½ÃÀÛ(The Roots of Harmony)
´ÙÀ̾îÅä´Ð ÄÚµå ±â´É(Diatonic Chords Function)
µµ¹Ì³ÍÆ® ¼¼ºì ÄÚµå(Dominant 7th Chord)
µµ¹Ì³ÍÆ® ¼¼ºì ¼½º ÄÚµå(Dominant 7sus Chord)
¼¼ÄÁ´õ¸® µµ¹Ì³ÍÆ®(Secondary Dominant)
ÀͽºÅÙµðµå µµ¹Ì³ÍÆ®(Extended Dominant)
Sample Harmony : ÀÚÀü°Å
Sample Harmony : ÀÛÀº º°
Exercise ¿¬½À¹®Á¦
Chapter 03 Åõ – ÆÄÀÌºê – ¿ø ¥±m - ¥´7 - ¥°
¸±·¹ÀÌƼµå Åõ(Related ¥±)
ÀÎÅÍÆú·¹ÀÌƼµå(Interpolated ¥±)
Åõ – ÆÄÀÌºê –¿ø(¥± - ¥´7 - ¥°)
4°¡Áö ¥±m7 - ¥´7 - ¥°M º¸À̽Ì(¥±m7 - ¥´7 - ¥°M Voicings)
4°¡Áö ¥±m7(¢Ú5) - ¥´7 - ¥°m º¸À̽Ì(¥±m7(¢Ú5) - ¥´7 - ¥°m Voicings)
Exercise ¿¬½À¹®Á¦
Chapter 04 ÄÉÀÌ´ø½º Cadence
¸ÞÀÌÀú, ¸¶ÀÌ³Ê ´ÙÀ̾ÆÅä´Ð ÄÚµå ±â´É(Major, minor Diatonic Chord Function)
µµ¹Ì³ÍÆ® ÄÉÀÌ´ø½º(Dominant Cadence)
¼ºêµµ¹Ì³ÍÆ® ÄÉÀÌ´ø½º(Subdominant Cadence)
ÇÏÇÁ ÄÉÀÌ´ø½º(Half Cadence)
µð¼ÁƼºê ÄÉÀÌ´ø½º(Deceptive Cadence)
ÀÎÄÄÇø®Æ® ¼ºêµµ¹Ì³ÍÆ® ÄÉÀÌ´ø½º(Incomplete Subdominant Cadence)
µô·¹ÀÌµå ·¹Á¹·ç¼Ç(Delayed Resolution)
Exercise ¿¬½À¹®Á¦
Chapter 05 ´ë¸®ÄÚµå Substitutions
´ÙÀ̾ÆÅä´Ð ´ë¸®ÄÚµå(Diatonic Chord Substitution)
¥´7 Æ®¶óÀÌÅæ ´ë¸®ÄÚµå(¥´7 Tritone Substitution)
Áö±×Àç±× ÆÐÅÏ(Zig Zag Patterns)
Sample Harmony : All The Things You Are
Exercise ¿¬½À¹®Á¦
Chapter 06 ¸ðµå¿Í ½ºÄÉÀÏ Modes & Scales
7°¡Áö ¸ðµå(¼±¹ý)¿Í ÄÚµå(7 Modes & Chords)
ÄÚµå ½ºÄÉÀÏ(Chord Scales)
Chapter 07 ÀçÁî ºí·ç½º & ¶óƾ ¸®µë Jazz Blues & Latin Rhythms
12¸¶µð ÀçÁî ºí·ç½º ÁøÇà(12-Bar Jazz Blues Progressions)
ºí·ç½º ÄÚµå º¸À̽Ì(Blues Chord Voicings)
º£À̽º ¶óÀÎ(Bass Line)
ºí·ç½º ½ºÄÉÀÏ & ÆÐÅÏ(Blues Scales & Patterns)
ºí·ç½º ÁïÈ↓ÁÖ(Blues Improvisation)
¶óƾ ¸®µë(Latin Rhythms)
Sample Harmony : The Girl From Ipanema
Exercise ¿¬½À¹®Á¦
Chapter 08 ¸ð´Þ ÀÎÅÍüÀÎÁö Modal Interchange
Æз²·¼ Å°(Parallel Keys)
¼ºêµµ¹Ì³ÍÆ® ¸¶À̳Ê(Subdominant minor)
Åä´Ð ¸¶À̳Ê(Tonic minor)
Exercise ¿¬½À¹®Á¦
Chapter 09 µð¹Ì´Ï½¬µå ¼¼ºì ÄÚµå dim7 Chords
µð¹Ì´Ï½¬µå ¼¼ºì ÄÚµå¿Í ½ºÄÉÀÏ(dim7 Chords & Scales)
µð¹Ì´Ï½¬µå ¼¼ºì ÄÚµå ±â´É(dim7 Chords Functions)
Exercise ¿¬½À¹®Á¦
Chapter 10 ¾îÆÛ ½ºÆ®·°ÃÄ Æ®¶óÀ̾îµå Upper Structure Triads
¸ÞÀÌÀú(Over Major)
¸¶À̳Ê(Over minor)
µµ¹Ì³ÍÆ® ¼¼ºì(Over ¥´7)
Sample Harmony : On Green Dolphin Street
Exercise ¿¬½À¹®Á¦
Chapter 11 Åä´Ð ½Ã½ºÅÛ Tonic System
2 Åä´Ð ½Ã½ºÅÛ(2 - Tonic System)
3 Åä´Ð ½Ã½ºÅÛ(3 - Tonic System)
4 Åä´Ð ½Ã½ºÅÛ(4 - Tonic System)
Exercise ¿¬½À¹®Á¦
ºÎ·Ï | ½Ç½À°î
Required Repertoire List
Blue In Green
All The Things You Are
How High The Moon
There Is No Greater Love
Misty
Autumn Leaves
My Foolish Heart
The Shadow Of Your Smile
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