³¶¸¸ÁÖÀÇ ½Ã´ë¿´´ø È°µ¿ ´ç½Ã ÇÁ¶û½º¸¦ ´ëÇ¥ÇÏ´Â ÀÛ°î°¡ÀÌÀÚ ¿À¸£°¡´Ï½ºÆ®, ÇǾƴϽºÆ®, ±³»ç¿´°í 20¼¼±âÀÇ ¸¹Àº ÀÛ°î°¡µé¿¡°Ô Å« ¿µÇâÀ» ³¢Ä£ °¡ºê¸®¿¤ Æ÷·¹(Gabriel Fauré 1845-1924)°¡ 1887~1890³â ÀÛ°îÇÑ ·¹Äû¿¥ D´ÜÁ¶ op. 48ÀÇ ¼º¾Ç ¾Çº¸ÀÔ´Ï´Ù. ÇÇ¾Æ³ë ¹ÝÁÖ¿Í SATB ¼º¾Ç ÆÄÆ®°¡ ÇÔ²² ±âº¸µÇ¾î ÀÖ½À´Ï´Ù.
Written between 1887 and 1890, Gabriel Faure's setting of the requiem is a departure from traditional structure. Faure said the following of his work: "It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience." This score represents the choral portion of the Requiem, each voice on a separate staff, including solos, with both Latin and English text. The book is 75 pages, including an orchestra reduction for either piano or organ accompaniment by Malcolm Binney. Includes: Introit et Kyrie * Offertoire * Sanctus * Pie Jesu * Agnus Dei * Libera Me * In Paradisum.
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