½½·¦°ú ÆË(ÁÙÀ» ¶â¾î ƨ±â´Â ÁÖ¹ý) º£À̽º Å×Å©´ÐÀ» À§ÇÑ Àü¹® ±³º»ÀÔ´Ï´Ù.
ÀÏ·ºÆ®¸¯ º£À̽º¿¡ ¼û°ÜÁ® ÀÖ´Â ÆÛÄ¿½ÃºêÇÑ »ç¿îµå¸¦ ²ø¾î³»¾î ÆãÅ°ÇÑ ±×·çºê¸¦ ¸¸µé¾î³»´Â ¹æ¹ýÀ» ¹è¿ï ¼ö ÀÖ½À´Ï´Ù.
½½·¦ º£À̽º Àü¹®°¡ David Overthrow°¡ ¾´ ÀÌ ±³º»¿¡´Â ½½·¦°ú ÆË º£À̽º ¶óÀÎÀÇ ¿¬ÁÖ¸¦ ½ÃÀÛÇϱâ À§ÇØ ¾Ë¾Æ¾ß ÇÏ´Â ¸ðµç °ÍµéÀÌ ´ã°ÜÀÖ½À´Ï´Ù.
ÇظӿÂ, Ç®¿ÀÇÁ µî¿¡¼ºÎÅÍ ´õºí ÆË°ú ´õºí ½ºÅ¾ µîÀÇ Å×Å©´ÐµéÀÌ ¸íÄèÇÏ°íµµ ³í¸®ÀûÀ¸·Î ¼³¸íµÇ¾î ÀÖ½À´Ï´Ù.
100°³°¡ ³Ñ´Â ´Ü°èº° ¿¬½À ¸¯°ú ¸®ÇÁ µîÀ» µû¶ó°¡´Ùº¸¸é ¾î´À»õ ½½·¦ Å×Å©´ÐÀÌ ´«ºÎ½Ã°Ô Çâ»óµÇ¾î ÀÖ´Â ÀÚ½ÅÀ» ¹ß°ßÇÏ°Ô µÉ °ÍÀÔ´Ï´Ù.
Ãʺ¸ÀÚºÎÅÍ »ó±ÞÀÚ±îÁöÀÇ ¸ðµç ÁøÁöÇÑ º£À̽º Ç÷¹À̾îµéÀ» À§ÇÑ Ã¥À̶ó°í ÇÒ ¼ö ÀÖ½À´Ï´Ù.
¸ð¹ü ¿¬ÁÖ À½¿øÀÌ ¿Â¶óÀÎÀ¸·Î Á¦°øµÇ¸ç Ã¥ ù ÆäÀÌÁöÀÇ »çÀÌÆ® ÁÖ¼Ò¿Í ¾×¼¼½º ÄÚµå·Î À½¿øÀ» ´Ù¿î·ÎµåÇÒ ¼ö ÀÖ½À´Ï´Ù.
- Contents -
About the Author
Introduction
Chapter 1 - A Review of the Basics
Reading Music
Notes and Rests
Time Signatures
Slap & Pop Notation
Chapter 2 - An Overview of the Basic Techniques
The Slap
The Pop
Hammer-ons and Pull-offs
Muted, or Dead Notes
Slides
Chapter 3 - The Slap
Slapping Exercises on Open Strings
One-Bar Slapping Licks
Two-Bar Slapping Licks
Four-Bar Slapping Grooves
Chapter 4 - The Pop
Popping Exercises on Open Strings
One-Bar Slap & Pop Licks
Two-Bar Slap & Pop Licks
Four-Bar Slap & Pop Grooves
Chapter 5 - Hammer-ons and Pull-offs
Hammer-ons
Pull-offs
One-Bar Licks with Hammer-ons, Pull-offs and Slides
Two-Bar Licks with Hammer-ons, Pull-offs and Slides
Four-Bar Grooves with Hammer-ons, Pull-offs and Slides
Chapter 6 - Advanced Techniques
Double Pops
Popped Double Stops
Four-Bar Grooves with Double Pops, Popped Double Stops and Double Slides
Chapter 7 - Library of Funk Bass Lines
Final Word
¼öÀԾǺ¸ | À½¾Ç¼Á¡
±¹³»Àç°í | ºü¸¥¹è¼Û
¹ÂÁ÷¾ØºÏ½º
|