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ÀÌ µ¶Ã¢ÀûÀÌ°íµµ Çö´ëÀûÀÎ ±³º»Àº ·Î½º¿£Á©¸®½º¿¡ À§Ä¡ÇÑ Àú¸íÇÑ Grove School of MusicÀÇ Ãʺ¸ÀÚºÎÅÍ Çö¿ª ÇÁ·Î ¿¬ÁÖÀÚµé±îÁöÀÇ ¼ö¹é¸í ÇлýµéÀÌ »ç¿ëÇÏ°í ÀÖ´Â ±³º»À̱⵵ ÇÕ´Ï´Ù.
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Level One¿¡´Â ¸á·Îµð, ¸®µë, ÀÎÅ͹ú, º£À̽º ¶óÀÎ µîÀ» ûÀ½ÇÏ°í ¾Çº¸·Î ¿Å±â´Â ¹æ¹ý°ú 3ÈÀ½ ¹× °£´ÜÇÑ ÇÁ·Î±×·¹¼ÇÀ» ±¸º°ÇÏ´Â ¹æ¹ý µîÀÌ ´Ù·ç¾îÁ® ÀÖ½À´Ï´Ù.
Level Two¿¡´Â 3ÈÀ½°ú 4ÈÀ½ ÄÚµå ÁøÇà, Á¶¼º º¯È, Å©·Î¸Åƽ À½Á¤, ¸ð´Þ ½ºÄÉÀÏ, ¸á·Îµñ ¹× Çϸð´Ð ½ºÄÉÀÏ µîÀ» ûÀ½ÇÏ°í ¾Çº¸·Î ¿Å±â´Â ¹æ¹ýÀÌ ´Ù·ç¾îÁ® ÀÖ½À´Ï´Ù.
- Contents -
Level 1 solfeg review:
Explanation of major scale solfeg and resolutions first introduced in Contemporary Eartraining Level 1
Chapter One/Introduction:
Summary of subject areas addressed in the book
Chapter Two:
Circle-of-fifths and circle-of-fourths
- how these terms are used in an Eartraining context
Chapter Three:
Chromatic solfeg
- adding extra solfeg syllables for chromatic notes
Chapter Four:
Major triad progressions
- hearing all combinations of triads within a major key
Chapter Five:
Diatonic triad progressions
- hearing all combinations of triads within a major key
Chapter Six:
Modal scale recognition
- hearing modes as 'solfeg' alterations to the major scale
Chapter Seven:
II-V-I four-part progressions
- reconizing key changes using II-V-I harmonies
Chapter Eight:
7-3 melodic line dictation over II-V-I progressions
- using 7ths & 3rds of the chords as melody notes
Chapter Nine:
Vocal Drills
- practice routines around the circle of 5ths & 4ths
Chapter Ten:
Contents of cassette tapes which are available
Workbook Questions:
Fill out your answers to the assignments here
Workbook Answers:
Check against correct answers printed here
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